Thousand knot Persicaria Numbered top right 332

Wall Art and Photo Gifts from Liszt Collection

Thousand knot Persicaria Numbered top right 332

Thousand knot (Persicaria), Thousand knot. Numbered top right: 332. Part of the fourth album with drawings of flowers and mushrooms. Eleventh of twelve albums with drawings of animals, birds and plants known around 1600, commissioned by Emperor Rudolf II. With explanations in Dutch, Latin and French, Anselmus Boetius de Boodt, 1596 - 1610, paper, watercolor (paint), deck paint, chalk, brush, h 237 mm × w 144 mm

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 19550020

© Artokoloro

1596 1600 1610 Animals Anselmus Boetius De Boodt Birds Chalk Commissioned Deck Paint Eleventh Emperor Rudolf Ii Explanations Fourth Album Latin Mushrooms Numbered Top Right Plants Twelve Albums Persicaria

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> Animals > Mammals > Cricetidae > Brush Mouse

> Arts > Watercolor paintings

EDITORS COMMENTS
This print showcases a delicate and intricate drawing titled "Thousand knot Persicaria Numbered top right 332". It is part of the fourth album containing exquisite depictions of flowers and mushrooms, commissioned by Emperor Rudolf II around 1600. Created by Anselmus Boetius de Boodt, this artwork is one of twelve albums that encompass drawings of animals, birds, and plants from that era. The attention to detail in this piece is truly remarkable. The artist's skillful use of paper, watercolor paint, deck paint, chalk, brushwork brings these botanical wonders to life. The vibrant hues and fine lines capture the essence of the Thousand Knot Persicaria with precision. Accompanying the illustration are explanations written in Dutch, Latin, and French languages. These annotations provide valuable insights into the characteristics and significance of each plant depicted in the album. As we admire this print from Liszt Collection today, we can't help but marvel at how art has transcended time. It serves as a testament to humanity's enduring fascination with nature's beauty throughout history. This particular work offers us a glimpse into an era when scientific exploration merged seamlessly with artistic expression under imperial patronage

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