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Sanjusangen-do or Hall of the Lotus King, Kyoto, 1820s

Sanjusangen-do or Hall of the Lotus King, Kyoto, 1820s


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Sanjusangen-do or Hall of the Lotus King, Kyoto, 1820s

Sanjusangen-do or Hall of the Lotus King, Buddhist temple near Kyoto. Home of the Thousand Armed Kannon. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrrarios Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), Florence, 1842

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Media ID 23173026

© Florilegius/Mary Evans

Andrea Anthropology Antique Armed Bernieri Buddhist Ferrrario Giulio Kannon Kyoto Lotus Manners Nation Peoples Thousand


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EDITORS COMMENTS
1. Title: "Sanjusangen-do: The Radiant Hall of a Thousand-Armed Kannon, Kyoto, 1820s" Sanjusangen-do, or the Hall of the Thousand-Armed Kannon, is a renowned Buddhist temple nestled in the heart of Kyoto, Japan. This exquisite image, a hand-colored copperplate engraving by Andrea Bernieri, offers a captivating glimpse into the temple's rich history and spiritual significance. Dating back to the 1820s, this engraving is an essential piece from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), published in Florence in 1842. The engraving showcases the stunning architecture of Sanjusangen-do, with its impressive wooden structure adorned with intricate carvings and vibrant colors. At the center stands the Thousand-Armed Kannon, the bodhisattva of compassion, surrounded by her retinue. Kannon is depicted with a thousand arms, each holding various objects to offer aid and comfort to all beings. The serene expression on her face radiates peace and tranquility, reflecting the temple's core values of compassion and enlightenment. The intricate details in this engraving reveal the masterful artistry of Andrea Bernieri. The delicate hand-coloring adds depth and dimension to the image, bringing the temple and its inhabitants to life. The engraving also provides a unique insight into the customs, manners, and racial diversity of the Asian continent during the 19th century, as documented by Ferrrario's extensive anthropological study. Sanjusangen-do remains an essential pilgrimage site for Buddhists and tourists alike, offering a profound connection to Japan's rich cultural heritage. This engraving serves as a testament to the enduring allure of the temple and the power of art to transport us to another time and place.

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