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Metal Print : The Circles of the Upper and Lower Rhine, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1780 by Antonio Zatta, Private Collection
Metal Prints from Fondazione Alinari per la Fotografia
The Circles of the Upper and Lower Rhine, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1780 by Antonio Zatta, Private Collection
The Circles of the Upper and Lower Rhine, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1780 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1780. Artist:Zuliani G
Alinari
PDP-A-ZATTA3-0013
Media ID 33186163
© Alinari Archives, Florence
Cartography Drawing And Graphics Geography Graphics Instrument And Document Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed
16"x20" (51x41cm) Metal Print
Step back in time with our exquisite Metal Print of The Circles of the Upper and Lower Rhine, an enchanting engraving by G. Zuliani from Tome III of the "Newest Atlas" published in Venice in 1780 by Antonio Zatta. This beautiful piece, part of our Media Storehouse Metal Print collection, showcases intricate details and vivid colors, bringing the historical charm of this antique map into your modern home. Made from high-quality aluminum, the print is waterproof, scratch-resistant, and easy to clean. Its sleek design adds a touch of sophistication to any room, making it a perfect addition to your decor. Travel back in time and add a piece of history to your space with our Metal Print of The Circles of the Upper and Lower Rhine.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print showcases "The Circles of the Upper and Lower Rhine" an exquisite engraving created by G. Zuliani in 1780. Taken from Tome III of the esteemed "Newest Atlas" published in Venice, Italy, this artwork is a treasured piece in a private collection. The intricate details and craftsmanship of this engraving exemplify the Renaissance-Baroque styles and periods that flourished during the eighteenth century in Europe. It serves as a testament to the artistic brilliance of its time, capturing both historical accuracy and aesthetic beauty. As one gazes upon this remarkable piece, they are transported back to an era where cartography played a vital role in understanding our world. The circles depicted symbolize territories along the Upper and Lower Rhine, providing viewers with an abstract representation of geographical boundaries. Beyond its informative purpose, this artwork also holds allegorical significance. It represents not only physical landscapes but also acts as a means of communication between cultures and societies throughout history. Its existence reminds us of how maps have served as instruments for documenting knowledge and shaping our understanding of different regions. Photographed by Alinari in 2009, this image allows us to appreciate the timeless appeal of Zuliani's work even after two centuries have passed since its creation. The juxtaposition between old-world charm and modern technology creates a fascinating dialogue about continuity across time. In conclusion, this photograph print captures more than just an engraving; it encapsulates centuries worth of human curiosity about our world's geography. Through its depiction of European scenes from various periods, it invites contemplation on concepts such as communication methods throughout history while showcasing stunning artistic techniques from the Renaissance-Baroque era.
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