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Metal Print : Duchy of Savoy including the Duchies of Chablais and Genevois, Savoy, the Barony of Faucigny, the Signoria of Tarantaise and the County of Maurienne, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1782 by Antonio Zatta, Private Collection
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Duchy of Savoy including the Duchies of Chablais and Genevois, Savoy, the Barony of Faucigny, the Signoria of Tarantaise and the County of Maurienne, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1782 by Antonio Zatta, Private Collection
Duchy of Savoy including the Duchies of Chablais and Genevois, Savoy, the Barony of Faucigny, the Signoria of Tarantaise and the County of Maurienne, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1782 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1782. Artist:Zuliani G
Alinari
PDP-A-ZATTA2-0034
Media ID 33187755
© Alinari Archives, Florence
Cartography Drawing And Graphics Geography Graphics Instrument And Document Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed
16"x20" (51x41cm) Metal Print
Step back in time with our exquisite Metal Print of the Duchy of Savoy, an intricately detailed engraving by G. Zuliani from the "Newest Atlas" published in Venice in 1782. This stunning piece showcases the historical territories of the Duchy of Savoy, including the Duchies of Chablais and Genevois, Savoy, the Barony of Faucigny, the Signoria of Tarantaise, and the County of Maurienne. Each metal print is meticulously crafted to bring out the rich textures and intricacies of the original engraving, making it a beautiful addition to any home or office. With its timeless design and high-quality finish, this Metal Print is sure to be a conversation starter and a cherished piece of history in your collection.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases an exquisite engraving by G. Zuliani, taken from Tome II of the "Newest Atlas" published in Venice in 1782 by Antonio Zatta. The artwork depicts the Duchy of Savoy, including the Duchies of Chablais and Genevois, Savoy, the Barony of Faucigny, the Signoria of Tarantaise, and the County of Maurienne. The intricate details and precision captured in this engraving transport us back to a time when cartography was not only a means of communication but also an art form. It beautifully combines elements from both Renaissance-Baroque styles and periods. As we delve into this visual masterpiece, we are reminded that maps are more than just geographical or topographical representations; they hold within them allegories and abstract concepts that shape our understanding of territories. This particular map takes us on a journey through eighteenth-century Europe, offering insights into its political landscape during that era. The significance of this artwork is further enhanced by its inclusion in private collections such as Florence Engraving Eighteenth Century. Its presence there speaks volumes about its historical value and artistic merit. Through this photograph taken by Alinari in 2009, we can appreciate how drawing and graphics have played a crucial role throughout history as instruments for documenting our world. They serve as tangible evidence connecting us to past civilizations while allowing us to explore new horizons. In conclusion, this remarkable print invites us to marvel at the craftsmanship behind Zuliani's engraving while immersing ourselves in centuries-old knowledge preserved within these lines and symbols.
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