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Metal Print : Lusatia, divided into its States, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1780 by Antonio Zatta, Private Collection
Metal Prints from Fondazione Alinari per la Fotografia
Lusatia, divided into its States, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1780 by Antonio Zatta, Private Collection
Lusatia, divided into its States, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1780 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1780. Artist:Zuliani G
Alinari
PDP-A-ZATTA3-0010
Media ID 33187845
© Alinari Archives, Florence
Cartography Drawing And Graphics Geography Graphics Instrument And Document Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed
16"x20" (51x41cm) Metal Print
Step back in time with our exquisite Metal Print of Lusatia, beautifully engraved by G. Zuliani from Tome III of the "Newest Atlas" published in Venice in 1780 by Antonio Zatta. This rare and intricately detailed engraving, from the private collection of Alinari, showcases Lusatia divided into its historic states. Each metal print is meticulously crafted, bringing the rich history and artistry of the past to life in your home or office. Experience the timeless beauty and elegance of this unique piece, perfect for history enthusiasts, collectors, or anyone who appreciates the art of cartography.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases a remarkable engraving titled "Lusatia, divided into its States" by the talented artist G. Zuliani. The artwork was originally published in Venice in 1780 as part of Antonio Zatta's renowned "Newest Atlas". Housed within a private collection in Florence, this exquisite piece embodies the elegance and sophistication of Renaissance-Baroque styles prevalent during the eighteenth century. The image transports us back to an era when cartography played a vital role in understanding and documenting our world. With intricate details and precision, Zuliani skillfully depicts Lusatia, a historical region located between Germany and Poland, meticulously dividing it into its various states. This topographical map not only serves as an instrument for geographical exploration but also symbolizes the power of knowledge and communication. Through this artistic creation, we are reminded of how maps have always been more than just practical tools; they convey abstract concepts and symbols that shape our perception of territories. The allegorical nature of this engraving invites contemplation on the interconnectedness between land and people throughout history. Photographed in 2009 by Alinari, this print captures every nuance of Zuliani's masterpiece while preserving its timeless beauty. It allows us to appreciate the craftsmanship involved in creating such detailed illustrations during a time when technology had yet to revolutionize graphic design. As we gaze upon this enchanting artwork from centuries past, we are transported to Europe during the first millennium A. D. , where scenes like these were instrumental means of communication. This extraordinary piece encapsulates both historical significance and aesthetic brilliance—a testament to human creativity across different periods—making it an invaluable addition to any art enthusiast's collection.
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