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Metal Print : The Palatinates of Braclaw and Kiovia, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1781 by Antonio Zatta, Private Collection
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The Palatinates of Braclaw and Kiovia, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1781 by Antonio Zatta, Private Collection
The Palatinates of Braclaw and Kiovia, engraving by G. Zuliani taken from Tome III of the "Newest Atlas" published in Venice in 1781 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1781. Artist:Zuliani G
Alinari
PDP-A-ZATTA3-0037
Media ID 33189711
© Alinari Archives, Florence
Cartography Drawing And Graphics Geography Graphics Instrument And Document Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed
16"x20" (51x41cm) Metal Print
Step back in time with our exquisite Metal Print of The Palatinates of Braclaw and Kiovia, an enchanting engraving by G. Zuliani from Tome III of the "Newest Atlas" published in Venice in 1781 by Antonio Zatta. This stunning piece of historical artistry, from the private collection of Alinari, brings the rich history of the Palatinates of Braclaw and Kiovia to life. Our high-quality Metal Prints are not just a beautiful addition to your home or office, they are a conversation starter and a testament to the intricacies of the past. Each print is meticulously crafted using premium metal sheets, ensuring a vivid and long-lasting image that is sure to impress.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases "The Palatinates of Braclaw and Kiovia" an exquisite engraving by G. Zuliani, taken from Tome III of the "Newest Atlas" published in Venice in 1781 by Antonio Zatta. Housed in a private collection, this artwork represents the epitome of Florence Engraving from the eighteenth century. The intricately detailed engraving transports us back to Renaissance-Baroque Europe, capturing the essence of that era with its grandeur and opulence. The artist's skillful execution brings forth a sense of timelessness as we delve into the rich history depicted within. As we gaze upon this masterpiece, our eyes are drawn to the meticulous rendering of geographical features. The topographical map takes center stage, showcasing the territories of Braclaw and Kiovia with utmost precision. This serves not only as a means of communication but also as an allegory for power and control over these lands. Beyond its cartographic significance, this artwork delves deeper into abstract concepts and symbols prevalent during that period. It symbolizes territorial dominance while simultaneously serving as an instrument documenting historical boundaries. The composition exudes a harmonious blend between artistry and scientific accuracy—a testament to both Zuliani's talent and his dedication to portraying geography through artistic expression. Dating back to 1781 when it was created, this piece has stood the test of time—its relevance extending beyond centuries. Through Alinari's lens in 2009, we are able to appreciate every intricate detail captured on film—an everlasting tribute to Zuliani's vision. In conclusion, this remarkable engraving encapsulates not only a specific moment in history but also embodies broader themes such as communication, territory, symbolism, and artistic styles prevalent during Europe's Renaissance-Baroque periods—the perfect fusion between artistry and cartography brought together by two masterful minds: G. Zuliani and Antonio Zatta.
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