Metal Print : The part of Piedmont that contains the District of Turin, Contado of Asti, the provinces of Alba, Allesandria and Tortona, Upper and Lower Monferrato, Lumellina and Pavese Oltre Po, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1782 by Antonio Zatta, Private Collection

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Metal Prints from Fondazione Alinari per la Fotografia

The part of Piedmont that contains the District of Turin, Contado of Asti, the provinces of Alba, Allesandria and Tortona, Upper and Lower Monferrato, Lumellina and Pavese Oltre Po, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1782 by Antonio Zatta, Private Collection

The part of Piedmont that contains the District of Turin, Contado of Asti, the provinces of Alba, Allesandria and Tortona, Upper and Lower Monferrato, Lumellina and Pavese Oltre Po, engraving by G. Zuliani taken from Tome II of the "Newest Atlas" published in Venice in 1782 by Antonio Zatta, Private Collection Florence Engraving Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:2009. Date of Artwork:1782. Artist:Zuliani G

Alinari
PDP-A-ZATTA2-0036

Media ID 33187761

© Alinari Archives, Florence

Cartography Drawing And Graphics Geography Graphics Instrument And Document Scene Means Of Communication Territory Abstract Concept And Symbol Concept Or Subject Expressed

16"x20" (51x41cm) Metal Print

Discover the rich history and beauty of Piedmont with our exquisite Metal Prints, featuring an intricately detailed engraving from the "Newest Atlas" published in 1782. This stunning image, taken from Tome II and engraved by G. Zuliani, showcases the District of Turin, Contado of Asti, the provinces of Alba, Allesandria and Tortona, Upper and Lower Monferrato, Lumellina, and Pavese Oltre Po. Each Metal Print is meticulously crafted, bringing the historical charm of this region to life with vibrant colors and a sleek, modern metal finish. Add this unique and captivating piece to your home or office decor, and let the story of Piedmont come to life before your eyes.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")

Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.

FEATURES IN THESE COLLECTIONS

> Abstract Art > Painting > Related Images

> Abstract Art > Related Images

> Arts > Abstract art

> Arts > Art Movements > Baroque

> Arts > Art Movements > Renaissance Art

> Arts > Still life artwork > Abstract art > Fine art

> Arts > Minimalist artwork > Abstract art > Fine art

> Arts > Modern art pieces > Abstract art > Fine art

> Arts > Portraits > Abstract art > Abstract art gallery

> Arts > Portraits > Abstract art > Abstract paintings

EDITORS COMMENTS
This print showcases an exquisite engraving by G. Zuliani, taken from Tome II of the "Newest Atlas" published in Venice in 1782 by Antonio Zatta. The artwork belongs to a private collection and depicts the part of Piedmont that encompasses various regions such as the District of Turin, Contado of Asti, provinces of Alba, Alessandria and Tortona, Upper and Lower Monferrato, Lumellina and Pavese Oltre Po. The intricate details captured in this engraving transport us back to the Renaissance-Baroque styles and periods prevalent during the eighteenth century in Europe. It serves as both a testament to historical cartography techniques and an artistic masterpiece. As we delve into this image further, it becomes evident that it represents far more than just a geographical or topographical map. It embodies an allegory for communication itself - showcasing how maps have long been instrumental documents enabling us to understand our world better. The abstract concepts and symbols within this piece invite contemplation on territory boundaries, cultural diversity across regions, and even political divisions that existed at that time. Through its meticulous graphics and drawings, it encapsulates not only physical landscapes but also intangible elements like shared histories and identities. Dating back almost two centuries before its photograph was taken in 2009 by Alinari (a renowned photography company), this artwork stands as a timeless representation of human curiosity about our surroundings. Its significance lies not only in its historical value but also in its ability to evoke wonderment about past civilizations' understanding of their environment. In summary, this remarkable print captures an enchanting engraving from Antonio Zatta's "Newest Atlas" providing us with insights into eighteenth-century cartography while simultaneously serving as a visual gateway into Piedmont's diverse territories during that era.

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