Metal Print > Architecture > Religious
Metal Print : Yomeimon Gate (Gate of the Sun), the gateway to the Toshogu Shrine in Nikko
Metal Prints from Fondazione Alinari per la Fotografia
Yomeimon Gate (Gate of the Sun), the gateway to the Toshogu Shrine in Nikko
Yomeimon Gate (Gate of the Sun), the gateway to the Toshogu Shrine in Nikko Japan Nikko. Date of Photograph:1860-1870 ca
Yokohama School (attr.)
FVQ-F-151948-0000
Media ID 33300260
© Alinari Archives, Florence
History Of Contemporary Nations Japan Modern History Of Nations Pagoda Peoples Populations Temple Territories
16"x20" (51x41cm) Metal Print
Bring the timeless beauty of Japanese heritage into your home with our Media Storehouse Metal Prints. Featuring an iconic image of Yomeimon Gate, the majestic entrance to the Toshogu Shrine in Nikko, captured by the Yokohama School (attrib.) from Alinari around 1860-1870. Our high-quality metal prints are not just a decorative piece; they are a conversation starter, a reminder of the rich history and culture of Japan. The vibrant colors and exceptional detail will make your favorite image come alive, adding a touch of sophistication and elegance to any room. Order your Yomeimon Gate Metal Print today and let the art of the past become a part of your present.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This photo print, titled "FVQ-F-151948-0000" takes us back in time to the late 19th century. The image showcases the majestic Yomeimon Gate, also known as the Gate of the Sun, which serves as the entrance to the renowned Toshogu Shrine in Nikko, Japan. The gate stands tall and proud, adorned with intricate building elements and decorations that reflect a rich cultural heritage. Its architecture is a testament to Japanese craftsmanship and attention to detail. The pagoda-style structure exudes an air of spirituality and tranquility. As we gaze at this photograph, we are transported into a world far removed from our own. It reminds us of Japan's deep-rooted non-Christian religious traditions and its historical significance as a temple country. The Yokohama School photographer has skillfully captured not only the physical aspects of this remarkable structure but also its symbolic importance within Japanese society. This image offers us a glimpse into both modern history and contemporary nations' stories – it speaks volumes about people's lives, territories, populations, and their collective histories. Let this print serve as a reminder of how photography can transcend time by capturing moments frozen forever on paper. As we admire this piece by Alinari from afar, let us appreciate its artistic value without mentioning any commercial use or affiliations associated with it – for sometimes art should be appreciated purely for what it represents rather than any monetary gain it may bring forth.
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