Metal Print > Historic > Ancient civilizations > Ancient Egypt > Egyptian hieroglyphics
Metal Print : Letter addressed to the French Ambassador Pierre de Blacas d
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Letter addressed to the French Ambassador Pierre de Blacas d
JHG215569 Letter addressed to the French Ambassador Pierre de Blacas d Aulps regarding the Royal Museum of Egyptian Art in Turin, genealogical table from a temple in El-Haraba (letter 1, plate VI) 1824 (engraving) (b/w photo) by Champollion, Jean Francois (1790-1832); Bibliotheque du College de France, Paris, France; French, out of copyright
Media ID 23193086
© Bridgeman Images
Cartouche Duck Egyptology Hieroglyphic Hieroglyphics Lettre Linguistics Sign Signe Translating Translation Decoding Symbols
16"x20" (51x41cm) Metal Print
Bring a piece of historical artistry into your home with Media Storehouse Metal Prints. This exquisite design features a letter addressed to the French Ambassador Pierre de Blacas from Jacqueline Hiegel, obtained from Fine Art Finder. Dated from the Royal Museum of Egyptian Art in Turin, the letter showcases a genealogical table from a temple in El-Haraba (letter 1). Our high-quality Metal Prints transform your chosen image into a stunning, vibrant work of art that is sure to captivate and inspire. With its elegant design and rich historical significance, this Metal Print is a must-have for art enthusiasts and history buffs alike.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print captures a significant historical artifact - a letter addressed to the French Ambassador Pierre de Blacas d'Aulps regarding the Royal Museum of Egyptian Art in Turin. The engraving, created by Jean Francois Champollion in 1824, showcases a genealogical table from a temple in El-Haraba. The image is filled with intricate symbols and hieroglyphics, inviting us into the world of ancient Egypt. Each symbol represents an important piece of history waiting to be deciphered. With its owl-like eyes and regal cartouche, this artwork transports us back to the time when pharaohs ruled over vast kingdoms. Champollion's expertise in egyptology shines through as he meticulously decodes these mysterious hieroglyphics. His translation work has paved the way for our understanding of ancient Egyptian linguistics and culture. Intriguingly, amidst all these symbolic representations lies a small duck-like bird signifying life and fertility - an integral part of ancient Egyptian beliefs. As we gaze upon this remarkable piece, we are reminded that every stroke on this page holds immense significance. It serves as a testament to human curiosity and determination to unravel the secrets of our past. Jacqueline Hiegel's skillful capture brings out every detail with precision, allowing us to appreciate both the artistry behind Champollion's engravings and their historical importance. This print is not just an exquisite display; it is also an invitation to
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