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Metal Print : The Election II: Canvassing for Votes, 1754-55 (oil on canvas)
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The Election II: Canvassing for Votes, 1754-55 (oil on canvas)
SJS1997 The Election II: Canvassing for Votes, 1754-55 (oil on canvas) by Hogarth, William (1697-1764); 101.5x127 cm; Courtesy of the Trustees of Sir John Soanes Museum, London; (add.info.: Plate II of four in Humours of an Election series;
Tory and Whig agents offer bribes outside Tory tavern Royal Oak, a Jewish peddler offers jewels and ribbons to the wives. Whig inn The Crown serves as a tax office- a rioting mob pulling down the sign. British lion pub seat suggests declining international fortunes presided over by a corrupt political establishment.); eSir John Soanes Museum; English, out of copyright
Media ID 23661562
© Sir John Soane's Museum / Bridgeman Images
Antisemitism Balcony Bribe Bribery Candidate Canvassing Coercion Corrupt Corruption Counting Money Demonstrating Elections English Politics Excise Office Firing Gluttony Henry Fielding Parliament Parliamentarian Political Satire Protest Protesting Reform Riot Sign Supporters Tavern Tory Uproar Wealthy Whig Whigs Satiric
16"x20" (51x41cm) Metal Print
Experience the captivating details of William Hogarth's masterpiece, The Election II: Canvassing for Votes, 1754-55, with a Media Storehouse Metal Print. This exquisite oil on canvas artwork, brought to you by Bridgeman Images from Fine Art Finder, showcases Hogarth's intricate storytelling and keen observation of human nature. Each Metal Print is meticulously crafted using high-quality materials and advanced printing techniques to bring out the rich colors and textures of this iconic piece. Add a touch of history and artistry to your home or office with this stunning Metal Print of The Election II: Canvassing for Votes.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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The Election II - Canvassing for Votes, 1754-55
EDITORS COMMENTS
is a captivating oil painting by William Hogarth that offers a satirical commentary on the corrupt and chaotic nature of English politics in the 18th century. This print captures a bustling street scene filled with vivid characters and symbolic imagery. In this humorous depiction, Tory and Whig agents can be seen vying for votes outside the Royal Oak tavern. Bribery is rampant as both sides offer enticing gifts to sway potential supporters. A Jewish peddler adds an element of diversity to the scene, offering jewels and ribbons to eager wives. The Whig inn, known as The Crown, serves as a tax office where chaos ensues as rioters pull down its sign. Meanwhile, at the British Lion pub seat, we see hints of Britain's declining international fortunes under a corrupt political establishment. Hogarth's keen eye for detail showcases various elements such as firing smoking pipes, gluttony in counting money, uproar among protesters, and even subtle antisemitism through the inclusion of the Jewish peddler. This painting brilliantly captures not only the absurdity but also the underlying tensions within English politics during this period. It serves as a biting critique of politicians' greed and corruption while highlighting societal issues such as coercion and bribery. "The Election II: Canvassing for Votes" remains an important piece of political satire that continues to resonate today with its timeless themes of power struggles and questionable ethics in democratic processes.
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