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Metal Print : An engraving depicting a dying patient and visitor screened off from the ward. Handle suspended on a rope to help the patient to sit up. Illustrated by Fred Barnard (1846-1896) a Victorian English illustrator, caricaturist and genre painter

An engraving depicting a dying patient and visitor screened off from the ward. Handle suspended on a rope to help the patient to sit up. Illustrated by Fred Barnard (1846-1896) a Victorian English illustrator, caricaturist and genre painter



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An engraving depicting a dying patient and visitor screened off from the ward. Handle suspended on a rope to help the patient to sit up. Illustrated by Fred Barnard (1846-1896) a Victorian English illustrator, caricaturist and genre painter

5311237 An engraving depicting a dying patient and visitor screened off from the ward. Handle suspended on a rope to help the patient to sit up. Illustrated by Fred Barnard (1846-1896) a Victorian English illustrator, caricaturist and genre painter, 19th century; (add.info.: Date: 1885); Universal History Archive/UIG

Media ID 38432394

© Universal History Archive/UIG / Bridgeman Images

Caricaturist Disease Diseased Fred Barnard Genre Painter History Of Medicine Hospital Illness Medic Medicinal Sick Sickness Victorian Era Victorian London Ward Beds Dying Hospital Bed Hospital Ward


16"x24" (61x41cm) Metal Print

Elevate your space with our Metal Prints, featuring iconic artworks like 'A Dying Patient' by renowned Victorian illustrator Fred Barnard (1846-1896). This striking engraving, sourced from Bridgeman Images and Fine Art Finder, captures a poignant moment in the hospital ward. The intricate details and textures of this metal print will add depth and character to any room.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


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EDITORS COMMENTS
This haunting engraving by Fred Barnard captures the somber scene of a dying patient and their visitor in a hospital ward during the 19th century. The patient is screened off from the rest of the ward, with a handle suspended on a rope to help them sit up. The emotional gravity of the moment is palpable as the visitor looks on, perhaps offering comfort or saying their final goodbyes. Barnard, known for his illustrations and caricatures, brings a sense of realism and poignancy to this depiction of illness and mortality. The details in the engraving - from the furniture in the room to the expressions on the faces of both figures - convey a sense of despair and resignation that was all too common in Victorian-era hospitals. As we gaze upon this historical image, we are reminded of the harsh realities faced by those suffering from disease and death in centuries past. It serves as a poignant reminder of our shared humanity and fragility, urging us to appreciate our health and loved ones while we still have them. Barnard's skillful rendering captures not only physical suffering but also emotional turmoil, making this engraving a powerful testament to the human experience.

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