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Metal Print : Nature morte de fruits et fleurs. Peinture de Paul Theodor van Brussel (1754-1795) Collection privee

Nature morte de fruits et fleurs. Peinture de Paul Theodor van Brussel (1754-1795) Collection privee



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Nature morte de fruits et fleurs. Peinture de Paul Theodor van Brussel (1754-1795) Collection privee

UIG5346888 Nature morte de fruits et fleurs. Peinture de Paul Theodor van Brussel (1754-1795) Collection privee.; Superstock/UIG

Media ID 38364632

© Superstock/UIG / Bridgeman Images

Apricot Citrus Grape Lemon Melon Pineapple Raspberry Flemish Art


16"x20" (51x41cm) Metal Print

Elevate your space with the elegance of art! Our Metal Prints feature stunning reproductions, like 'Nature morte de fruits et fleurs' by Paul Theodor van Brussel. This exquisite piece from Bridgeman Images and Fine Art Finder is now available in a durable metal finish that will add sophistication to any room. Bring a touch of the past into your present with our high-quality Metal Prints.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Amedee Forestier

> Arts > Artists > B > Paul Theodor van Brussel

> Arts > Still life artwork > Still life art > Still life paintings

> Arts > Still life artwork > Still life art > Nature-inspired artwork

> Arts > Still life artwork > Still life art

> Arts > Still life artwork > Nature-inspired art

> Arts > Still life artwork

> Arts > Portraits > Still life artwork > Nature-inspired artwork

> Arts > Realistic drawings > Still life artwork > Still life paintings

> Arts > Street art graffiti > Still life > Still life artwork


EDITORS COMMENTS
Nature morte de fruits et fleurs, a stunning painting by Paul Theodor van Brussel from the 18th century, captures the beauty and abundance of nature in exquisite detail. This still life composition features an array of colorful fruits including melons, grapes, pineapples, raspberries, apricots, and lemons alongside delicate flowers. Van Brussel's meticulous brushwork brings each individual fruit and flower to life, showcasing his skill as a Flemish artist. The vibrant colors and textures of the various elements create a sense of richness and opulence that is characteristic of the Baroque period. As we gaze upon this masterpiece, we are transported back in time to an era where art was not only a reflection of reality but also a celebration of the natural world. The careful arrangement of fruits and flowers invites us to appreciate the simple pleasures that can be found in everyday objects. This print allows us to bring a piece of art history into our own homes, serving as a reminder of the timeless beauty captured by artists like Paul Theodor van Brussel. It is a testament to the enduring appeal of still life paintings and their ability to evoke emotions and inspire contemplation even centuries after they were created.

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