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Metal Print : Bird Scaring, March, 1896 (oil on canvas)

Bird Scaring, March, 1896 (oil on canvas)



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Bird Scaring, March, 1896 (oil on canvas)

HMP112994 Bird Scaring, March, 1896 (oil on canvas) by Clausen, George (1852-1944); 102.2x128 cm; Harris Museum and Art Gallery, Preston, Lancashire, UK; eHarris Museum and Art Gallery; English, out of copyright

Media ID 22666782

© Harris Museum and Art Gallery / Bridgeman Images

Bonfire Crow Crows Disturbed Morning Scared Clapper Clappers Scarer


16"x20" (51x41cm) Metal Print

Bring the timeless beauty of art into your home with Media Storehouse Metal Prints. Featuring the captivating painting "Bird Scaring, March, 1896" by George Clausen, this high-quality metal print showcases intricate details and vibrant colors. Originally painted in oil on canvas, this masterpiece from the Harris Museum and Art Gallery in Preston, Lancashire, UK, is now available in a modern and durable metal print format. Perfect for adding a touch of elegance and sophistication to any room, this metal print is waterproof, scratch-resistant, and easy to clean. Experience the art of the past, brought to life in the present with Media Storehouse Metal Prints.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")

Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Andrea di Cione Orcagna

> Fine Art Finder > Artists > George Clausen

> Fine Art Finder > Children

> Animals > Birds > Passerines > Crows And Jays > Related Images

> Arts > Art Movements > Landscapes

> Arts > Landscape paintings > Landscape art

> Arts > Still life artwork > Oil paintings > Landscape paintings

> Arts > Portraits > Landscape paintings > Fine art gallery

> Arts > Portraits > Landscape paintings > Oil paintings

> Arts > Realistic drawings > Landscape paintings > Fine art

> Arts > Realistic drawings > Landscape paintings > Oil paintings

> Europe > United Kingdom > England > Lancashire > Preston

> Europe > United Kingdom > England > Lancashire > Related Images


Bird Scaring, March, 1896

EDITORS COMMENTS
is a captivating oil painting by George Clausen that transports viewers to the rural landscapes of late 19th-century England. This masterful artwork, measuring 102.2x128 cm, can be admired at the Harris Museum and Art Gallery in Preston, Lancashire. In this scene, we witness a chilly morning on a farm as a young boy stands amidst a vast field dotted with crows. The artist skillfully captures the tension and unease felt by both the child and the birds. A bonfire crackles nearby, its smoke billowing into the crisp air—a traditional method employed to scare away these pesky creatures from valuable crops. The composition exudes an atmosphere of disturbance and apprehension as the boy's presence disrupts the tranquility of nature. His role as "scarer" is evident through his use of clappers—wooden noise-making devices—to startle and deter birds from ravaging fields ripe with harvest. Clausen's attention to detail brings life to every element within this idyllic countryside setting—the weathered farmhouse in the distance adds depth while emphasizing man's coexistence with nature. Through his brushstrokes, he invites us into this moment frozen in time—an intimate glimpse into rural life where children played vital roles alongside hardworking farmers. This remarkable painting not only showcases Clausen's technical prowess but also serves as a poignant reminder of humanity's intricate relationship with our natural surroundings—a timeless theme that continues to

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