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Metal Print : Genista (Broom), 1737-1745 (engraved and mezzotint plate
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Genista (Broom), 1737-1745 (engraved and mezzotint plate
986424 Genista (Broom), 1737-1745 (engraved and mezzotint plate, printed in colours and finished by) by Ehret, Georg Dionysius (1710-70) (after); 45.5x28.5 cm; Private Collection; (add.info.: Genista (Broom). From Phytanthoza Iconographia... by Johann Wilhelm Weinmann (1683-1741). After Georg Dionysius Ehret (1710-1770). Engraved and mezzotint plate, printed in colours and finished by hand. Published in Regensburg, 1737-1745. 45.5 x 28.5cm.); Photo eChristies Images; German, out of copyright
Media ID 22638860
© Christie's Images / Bridgeman Images
1730s 1737 1740s 1745 Artist German Background Biology Botanic Botanica Broom Decorative Technique Early Eighteenth Century Ehert Finished By Hand Georg Dionysious Ehert Georg Dionysius German Art German Artist Ground Hand Finished Mezzotint Mid 18th Century Mid Eighteenth Century Phytanthoza Iconographia Prints Seedpod White Background Yellow Genista Johann Wilhelm Weinmann
16"x24" (61x41cm) Metal Print
Bring the timeless beauty of 18th-century botanical art into your home with our Media Storehouse Metal Prints. This exquisite piece features "Genista (Broom)" engraved and mezzotint plate, created by renowned artist Georg Dionysius Ehret in 1737-1745. Reproduced from the Bridgeman Images collection at Fine Art Finder, this captivating print showcases the intricate details and vibrant colors of the Genista plant, making it a stunning addition to any decor. Our high-quality Metal Prints are printed on aluminum sheets using a dye-sublimation process, ensuring long-lasting, fade-resistant, and waterproof results. Experience the allure of fine art botanicals with our Media Storehouse Metal Prints.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases a close-up view of "Genista (Broom), 1737-1745" an exquisite engraved and mezzotint plate created by the talented artist Georg Dionysius Ehret. The artwork, measuring 45.5x28.5 cm, is part of a private collection and originates from Johann Wilhelm Weinmann's renowned publication "Phytanthoza Iconographia". Ehret's meticulous attention to detail is evident in this stunning floral depiction, which beautifully captures the essence of the broom plant. Set against a pristine white background, vibrant yellow blooms take center stage, showcasing their delicate petals and intricate structure. The early 18th-century piece exemplifies Ehret's mastery of decorative techniques as he skillfully combines engraving and mezzotint printing methods with hand finishing touches. The result is a visually striking representation that seamlessly blends artistry with scientific accuracy. As one explores this enchanting image further, it becomes apparent that every element has been thoughtfully rendered – from the botanical precision to the subtle shading that adds depth and dimensionality to each flower. This remarkable work not only highlights Ehret's talent but also serves as a testament to his significant contributions to botany illustration during the mid-eighteenth century. It stands as an enduring example of German artistry from this period while offering viewers an opportunity to appreciate nature's beauty through both artistic and scientific lenses.
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