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Metal Print : Italy, from an Atlas of the World in 33 Maps, Venice, 1st September 1553 (ink on vellum)

Italy, from an Atlas of the World in 33 Maps, Venice, 1st September 1553 (ink on vellum)



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Italy, from an Atlas of the World in 33 Maps, Venice, 1st September 1553 (ink on vellum)

XOT330948 Italy, from an Atlas of the World in 33 Maps, Venice, 1st September 1553 (ink on vellum) by Agnese, Battista (1514-64); Museo Correr, Venice, Italy; Italian, out of copyright

Media ID 12852660

© www.bridgemanart.com

Adriatic Chart Compass Corsica Croatia Ionian Mapping Mediterranean Sea Portolan Sardinia Sicily Italian Peninsula


16"x20" (51x41cm) Metal Print

Add a touch of history and artistry to your space with our Media Storehouse Metal Prints featuring the exquisite map of Italy from the Atlas of the World in 33 Maps, created in Venice on September 1, 1553 by Battista Agnese. This intricately detailed map, showcasing Italy in ink on vellum, is a rare glimpse into the cartography of the past. Our high-quality Metal Prints bring out the rich colors and textures of this historic artwork, making it a stunning addition to any room. Experience the beauty of the past, brought to life in the present.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")

Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Battista Agnese

> Fine Art Finder > Maps (celestial & Terrestrial)

> Arts > Artists > A > Battista Agnese

> Europe > Croatia > Maps

> Europe > Croatia > Posters

> Europe > Croatia > Related Images

> Europe > Italy > Maps

> Europe > Italy > Posters

> Europe > Italy > Sardinia > Related Images

> Europe > Italy > Sicily > Related Images

> Europe > Italy > Veneto > Venice

> Maps and Charts > Croatia


EDITORS COMMENTS
This print showcases a remarkable piece of history, an ink on vellum map titled "Italy, from an Atlas of the World in 33 Maps". Created by the talented Italian cartographer Agnese Battista in Venice on September 1st, 1553, this masterpiece is now housed at the Museo Correr in Venice, Italy. The intricate details and precision displayed in this map are truly awe-inspiring. It depicts not only the Italian peninsula but also Sicily, Sardinia, Corsica, and various bodies of water such as the Mediterranean Sea, Adriatic Sea, and Ionian Sea. The accuracy with which Agnese portrayed these geographical features highlights his exceptional skill as a cartographer during that era. One cannot help but marvel at how this ancient map was meticulously crafted using traditional techniques like portolan charts and compasses. Each stroke of ink on vellum tells a story of exploration and discovery during a time when maps were invaluable tools for navigation. As we gaze upon this historical artifact through our modern lens, it serves as a reminder of how far we have come in terms of mapping technology. Yet it also evokes nostalgia for simpler times when cartography was both an art form and scientific endeavor. This print offers us a glimpse into the past while celebrating Agnese Battista's contribution to the world of cartography. It stands as a testament to human curiosity about our surroundings and our eternal quest to understand our place within them.

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