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Metal Print : Royalty, Episcopacy and Law by William Hogarth, 1724 (engraving)

Royalty, Episcopacy and Law by William Hogarth, 1724 (engraving)



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Royalty, Episcopacy and Law by William Hogarth, 1724 (engraving)

3521501 Royalty, Episcopacy and Law by William Hogarth, 1724 (engraving) by Hogarth, William (1697-1764); (add.info.: Royalty, Episcopacy and Law by William Hogarth. Dated 1724. Hogarth even attacks Britain's monarchy and its supporters. He lampoons King George I, shown with a guinea coin for a head, holding a sceptre and an orb; a bishop, resting his leg on an over stuffed pillow; and a narcissistic lawyer in lavish costume, having a mallet for a head.); Universal History Archive/UIG

Media ID 32114762

© Universal History Archive/UIG / Bridgeman Images

Anticleric Anticlericalism Hogarth William 1697 1764 House Of Hanover King George I Monarchic Printmaker Royalism Satirist William Hogarth 18th Centuries George I Of Great Britain


20"x24" (61x51cm) Metal Print

Bring the historic masterpiece, "Royalty, Episcopacy and Law" by William Hogarth, into your home with our high-quality Metal Prints from Media Storehouse. This engraving, created in 1724 by Bridgeman Images from Fine Art Finder, is a captivating representation of the power dynamics between the monarchy, the church, and the law. The intricate details and vibrant colors of this iconic artwork are beautifully preserved in our metal prints, making it a stunning addition to any room. Experience the rich history and storytelling of Hogarth's work in a modern, sleek design. Order now and bring a piece of art history into your home.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 60.9cm x 50.8cm (24" x 20")

Estimated Product Size is 61.5cm x 51.4cm (24.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Muridae > House Mouse

> Architecture > Great Houses

> Arts > Artists > H > William Hogarth

> Arts > Artists > I > William Ireland

> Arts > Artists > Related Images

> Arts > Artists > W > George White

> Arts > Artists > W > William White

> Arts > Artists > William Hogarth

> Arts > Pop art > Satire > Satirical artwork

> Europe > United Kingdom > England > London > Art > William Hogarth


Royalty, Episcopacy and Law - A Scathing Satire on British Monarchy

EDITORS COMMENTS
. This print captures William Hogarth's iconic engraving titled "Royalty, Episcopacy and Law" created in 1724. In this satirical masterpiece, Hogarth fearlessly criticizes Britain's monarchy and its supporters with biting wit. The image depicts King George I as a figure with a guinea coin for a head, holding both a sceptre and an orb. This clever portrayal symbolizes the king's obsession with wealth and power. Next to him stands a bishop nonchalantly resting his leg on an overstuffed pillow, representing the complacency of the Church. Finally, we see a narcissistic lawyer adorned in lavish attire but sporting a mallet for a head – an ingenious metaphor highlighting the manipulative nature of legal professionals. Hogarth's work is known for its scathing satire and social commentary, challenging societal norms of his time. Through this piece, he exposes corruption within the monarchy while also critiquing religious institutions and legal systems. The black-and-white aesthetic adds depth to Hogarth's intricate engravings, emphasizing the contrast between light and shadow that further enhances the dramatic impact of his message. As viewers delve into this thought-provoking artwork from the 18th century, they are invited to reflect upon themes such as anticlericalism, abuse of power by monarchs or politicians alike across Europe at that time period. Overall, "Royalty, Episcopacy and Law" remains an enduring testament to Hogarth's artistic genius as well as his unwavering commitment to exposing societal flaws through visual storytelling.

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