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Metal Print : Inquisition "Autodafe presides by Saint Dominique de Guzman (1170-1221)
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Inquisition "Autodafe presides by Saint Dominique de Guzman (1170-1221)
LRI4665398 Inquisition " Autodafe presides by Saint Dominique de Guzman (1170-1221), founder of the Dominican Order, eproof of the fire of the heretical book and the orthodox book" Miniature in " Le miroir historial" (Speculum Historiale) (ms. 1196, fol. 372) by Vincent de Beauvais (1190-1264) translated into French by Jean de Vignay, 15th century ecle. Chantilly, Musee Conde by Unknown Artist, (15th century); Musee Conde, Chantilly, France; (add.info.: Inquisition " Autodafe presides by Saint Dominique de Guzman (1170-1221), founder of the Dominican Order, eproof of the fire of the heretical book and the orthodox book" Miniature in " Le miroir historial" (Speculum Historiale) (ms. 1196, fol. 372) by Vincent de Beauvais (1190-1264) translated into French by Jean de Vignay, 15th century ecle. Chantilly, Musee Conde); Luisa Ricciarini; out of copyright
Media ID 22468332
© Luisa Ricciarini / Bridgeman Images
Beggar Bequille Bible Book Bucher Charity Coin Purse Disabled Dominican Equity Generosity Heresy Inquisition Late Misery Natural Elements 4 Pauper Quest Saint Dominic Self Daffed Aureole Coin
16"x20" (51x41cm) Metal Print
Experience the captivating fusion of history and art with Media Storehouse's Metal Prints. This extraordinary piece, titled "Inquisition: 'Autodafe' presides by Saint Dominique de Guzman (1170-1221)" by Luisa Ricciarini, brings the intriguing tale of the Inquisition to life. Saint Dominique de Guzman, founder of the Dominican Order, presides over the autodafe, or the burning of heretical books, in this evocative image from Fine Art Finder (LRI4665398). Our high-quality Metal Prints transform your chosen artwork into a stunning, vibrant, and long-lasting masterpiece for your home or office. Embrace the allure of history and the beauty of art with Media Storehouse's Metal Prints.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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The captivating print titled "Inquisition 'Autodafe presides by Saint Dominique de Guzman" transports us back to the 15th century, immersing us in a scene of religious fervor and power. The image is a miniature from Vincent de Beauvais' "Le miroir historial" depicting the founder of the Dominican Order, Saint Dominique de Guzman (1170-1221), presiding over an autodafe. In this intense moment, we witness the burning of both a heretical book and an orthodox book. The flames symbolize the eradication of opposing beliefs and emphasize the authority held by Saint Dominique as he enforces orthodoxy within his order. The composition is rich with symbolism: an aureole surrounds Saint Dominique's head, signifying his holiness; a beggar with crutches represents human misery and poverty; while coins in a purse highlight acts of charity towards those less fortunate. These elements speak to themes such as equity, generosity, and religious quest prevalent during that period. This artwork not only captures historical events but also serves as an illumination into medieval society's complex relationship with religion. It reminds us how faith was intertwined with political power and how individuals like Saint Dominique played pivotal roles in shaping religious doctrine. Luisa Ricciarini's skillful capture brings this fascinating piece to life once again, allowing viewers to appreciate its intricate details and contemplate its significance within art history.
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