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Metal Print : Closing the Tomb of Tutankhamun, Valley of the Kings, February 1923 (gelatin silver print)
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Closing the Tomb of Tutankhamun, Valley of the Kings, February 1923 (gelatin silver print)
STC159182 Closing the Tomb of Tutankhamun, Valley of the Kings, February 1923 (gelatin silver print) by Burton, Harry (1879-1940); 25.5x20 cm; Private Collection; (add.info.: discovered in November 1922 by Howard Carter; replacing several tons of rock; ); The Stapleton Collection
Media ID 25215418
© The Stapleton Collection / Bridgeman Images
18th Dynasty Archaeological Discovery Excavating Excavation Site
16"x20" (51x41cm) Metal Print
Experience the historical grandeur of ancient Egypt with our Media Storehouse Metal Print of "Closing the Tomb of Tutankhamun, Valley of the Kings, February 1923" by Harry Burton. This iconic gelatin silver print, originally from Bridgeman Images and Fine Art Finder, captures the moment Howard Carter and Lord Carnarvon seal the entrance to the newly discovered tomb of Tutankhamun. The rich details and textures of this timeless image are beautifully brought to life on our high-quality metal prints, ensuring a stunning and durable addition to your home or office decor. Immerse yourself in history with this captivating piece.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This gelatin silver print, titled "Closing the Tomb of Tutankhamun, Valley of the Kings, February 1923" takes us back to a significant moment in history. Captured by Harry Burton in stunning detail, this photograph measures 25.5x20 cm and belongs to a private collection. The image showcases an archaeological discovery that shook the world - the tomb of Tutankhamun. Discovered by Howard Carter in November 1922, this ancient Egyptian site became a focal point for researchers and enthusiasts alike. In this particular scene, we witness workers diligently closing off the entrance to the tomb with several tons of rock. The photograph transports us to a time when excavation and archaeology were at their peak. The native workers can be seen meticulously carrying out their tasks under the watchful eye of experts from around the globe. This snapshot offers a glimpse into both ancient Egypt's rich history and its ongoing exploration. As we delve deeper into this image, it becomes evident that it represents more than just an archaeological find; it symbolizes humanity's insatiable curiosity about our past. It reminds us that through careful excavation and preservation efforts like those depicted here, we are able to uncover hidden treasures from civilizations long gone. Harry Burton's masterful photography immortalizes this pivotal moment during Egypt's New Kingdom era (18th dynasty). His lens captures not only physical labor but also emotions - anticipation mixed with reverence for what lies within these sacred walls. In summary, "Closing the Tomb
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