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Metal Print : The Tapestry Room, Beaudesert, Staffordshire, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo)
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The Tapestry Room, Beaudesert, Staffordshire, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo)
CLF311713 The Tapestry Room, Beaudesert, Staffordshire, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer, (20th century); (add.info.: Elizabethan house completely remodelled for the 7th Marquess of Anglesey by Captain Harry Lindsay 1909-12; photographed in 1919; demolished 1935;); © Country Life
Media ID 32212244
© © Country Life / Bridgeman Images
Destroyed Four Poster Bed Interior Decor Panelled Plasterwork Ceiling Tudor Architecture Wood Panelling Jacobean Style Tapestries
16"x20" (51x41cm) Metal Print
Bring the historic charm of The Tapestry Room at Beaudesert, Staffordshire, into your home with our Media Storehouse Metal Prints. This exquisite black and white photograph, taken by English photographer Giles Worsley for England's Lost Houses published by Bridgeman Images in 2002, captures the timeless elegance of this remarkable room. Our high-quality metal prints are not just a picture, they are a work of art that adds depth and texture to any space. With vibrant colors and stunning clarity, the image is infused into the metal, ensuring a long-lasting and durable piece that is resistant to fading and moisture. Experience the beauty of the past in a modern and contemporary way with Media Storehouse Metal Prints.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This photograph captures the grandeur of The Tapestry Room in Beaudesert, Staffordshire. Taken from Giles Worsley's renowned book "England's Lost Houses" this image showcases the exquisite interior decor of a stately home that no longer exists. The room, completely remodeled for the 7th Marquess of Anglesey by Captain Harry Lindsay between 1909 and 1912, exudes an Elizabethan charm with its wood paneling and Jacobean-style four-poster bed. The attention to detail is evident in the intricate plasterwork ceiling, which adds a touch of elegance to the space. Tapestries adorn the walls, depicting scenes from Tudor history and adding depth to the room's historical ambiance. This snapshot allows us to glimpse into a time when tapestries were not just decorative pieces but also served as insulation against cold stone walls. Sadly, this architectural gem was demolished in 1935, making this photograph all the more precious as it preserves a piece of lost history. It serves as a reminder of how fleeting our built heritage can be. Through this expertly captured image by an English photographer from the 20th century (whose name remains unknown), we are transported back in time to appreciate both the craftsmanship and opulence that once graced these now-vanished halls.
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