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Metal Print : East entrance to the cell in the Southwest Tower of the Tower of London, 1803. Early Pointed Style. Copperplate engraving drawn and etched by John Thomas Smith from his Topography of London, 1811
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East entrance to the cell in the Southwest Tower of the Tower of London, 1803. Early Pointed Style. Copperplate engraving drawn and etched by John Thomas Smith from his Topography of London, 1811
FLO5000493 East entrance to the cell in the Southwest Tower of the Tower of London, 1803. Early Pointed Style. Copperplate engraving drawn and etched by John Thomas Smith from his Topography of London, 1811.; (add.info.: East entrance to the cell in the Southwest Tower of the Tower of London, 1803. Early Pointed Style. Copperplate engraving drawn and etched by John Thomas Smith from his Topography of London, 1811.); © Florilegius
Media ID 38506872
© © Florilegius / Bridgeman Images
Basketball Cell East Entrance Gaol Jail John Thomas Smith Prison Public Architecture Topography Of London Tower Of London Vault Vaulted Ceiling
16"x20" (51x41cm) Metal Print
Step into history with our Metal Prints featuring iconic images like this stunning copperplate engraving from Bridgeman Images' Fine Art Finder collection. This striking piece shows the East entrance to the cell in the Southwest Tower of the Tower of London, captured by John Thomas Smith in 1803. With its Early Pointed Style and intricate details, this metal print is a must-have for anyone who loves art history or architecture. Bring a touch of elegance and sophistication to any room with our Metal Prints.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This copperplate engraving by John Thomas Smith offers a glimpse into the East entrance to the cell in the Southwest Tower of the Tower of London in 1803. The intricate details and early Pointed Style architecture depicted in this print transport viewers back in time to a period when public architecture was both functional and awe-inspiring.
The vaulted ceiling, sturdy door, and simple table within the cell evoke a sense of confinement and isolation, highlighting the harsh realities of imprisonment during that era. The image captures a moment frozen in time, allowing us to imagine what life may have been like for those who were once held captive within these walls.
Smith's meticulous attention to detail is evident in every line etched on this print, showcasing his skill as an artist and historian. His Topography of London series provides valuable insights into the architectural landscape of the city during this period.
As we gaze upon this historic image, we are reminded of the enduring legacy of places like the Tower of London and their significance in shaping our understanding of past societies. This engraving serves as a poignant reminder of our shared history and invites us to reflect on how far we have come since 1803.
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