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Metal Print : The Eastern Question, taking Tickets in the Harem (engraving)
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The Eastern Question, taking Tickets in the Harem (engraving)
1059534 The Eastern Question, taking Tickets in the Harem (engraving) by Durand, Godefroy (1832-1896); Private Collection; (add.info.: The Eastern Question, taking Tickets in the Harem. Illustration for The Graphic, 24 March 1877.); Look and Learn / Illustrated Papers Collection
Media ID 25188622
© Look and Learn / Illustrated Papers Collection / Bridgeman Images
Constantinople Eastern Question Godefroy Durand Harem Harems Seraglio Steamer Tickets Turkish Culture Varna Central Turkey Turk
16"x20" (51x41cm) Metal Print
Bring a piece of historical art into your home with our Media Storehouse Metal Print of 'The Eastern Question, taking Tickets in the Harem' by Godefroy Durand. This engraving, originally published in 1832, captures the intrigue and allure of the Ottoman Empire's harem. With vibrant colors and exceptional detail, our metal print preserves the rich textures and nuances of this iconic image from Bridgeman Images. Elevate your decor with this unique and captivating work of art from Fine Art Finder.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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The Eastern Question, taking Tickets in the Harem
EDITORS COMMENTS
is a captivating engraving by Godefroy Durand that offers a glimpse into the intriguing world of 19th-century Constantinople. The artwork, originally published in The Graphic on March 24,1877, invites viewers to explore the complexities surrounding the Eastern Question. In this scene, we find ourselves amidst a bustling steamer docked at Varna. Traditional-dressed individuals from various backgrounds eagerly await their turn to enter the harem and experience its mysteries firsthand. The artist skillfully captures the vibrant atmosphere as people from Europe and the Middle East come together in anticipation. Durand's attention to detail transports us back in time, allowing us to immerse ourselves in this unique cultural exchange. We witness women clad in exquisite garments characteristic of Turkish culture while European visitors observe with curiosity and intrigue. The engraving not only showcases Durand's artistic prowess but also sheds light on significant historical events. It serves as a testament to France's fascination with Orientalism during this period and highlights how artists like Durand played an essential role in bridging cultural gaps through their works of art. "The Eastern Question, taking Tickets in the Harem" stands as an enduring reminder of our shared human experiences across borders and cultures. Through this print, we are reminded of both our differences and our commonalities—a timeless reflection captured within Durand's masterpiece.
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