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Metal Print : Medieval inquisition: Burning of witches in a french city, 15th century. 19th century (engraving)

Medieval inquisition: Burning of witches in a french city, 15th century. 19th century (engraving)



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Medieval inquisition: Burning of witches in a french city, 15th century. 19th century (engraving)

ELD4846128 Medieval inquisition: Burning of witches in a french city, 15th century. 19th century (engraving) by Unknown Artist, (19th century); Private Collection; Photo © The Holbarn Archive

Media ID 31711510

© The Holbarn Archive / Bridgeman Images

Black Magic Bucher Inquisition Occult Science Occultism Parascience Spiritualism Witchcraft 15th 15 Xv Xvth Fifteenth Century Isadora


16"x20" (51x41cm) Metal Print

Step back in time with our captivating Medieval Inquisition Metal Print, featuring an engraving of the Burning of Witches in a French city from the 15th century. This intriguing 19th century artwork, sourced from Bridgeman Images through Fine Art Finder, transports you to an era of mystery and intrigue. The rich details of the metal print bring the haunting image to life, making it a striking addition to any room in your home or office. Relive history with this unique and captivating piece.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


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> Fine Art Finder > Artists > English School

> Fine Art Finder > Artists > Unknown Artist

> Animals > Insects > Butterflies > Black Witch

> Arts > Art Movements > Medieval Art


EDITORS COMMENTS
This engraving from the 19th century takes us back to a dark chapter in history - the Medieval Inquisition. The scene depicted is chillingly haunting, as we witness the burning of witches in a French city during the 15th century. The unknown artist skillfully captures the intensity and brutality of this period. The image transports us to a time when fear and superstition reigned supreme, with witchcraft being seen as an unforgivable crime. The vibrant colors used in this print add an eerie element, emphasizing the violence and chaos that surrounded these events. Intriguingly, this engraving also touches on various aspects related to occultism and spiritualism prevalent during that era. It hints at black magic, occult science, and even parascience - all elements that were feared by society at large. Amidst this backdrop of terror, one cannot help but notice a lone woman standing amidst the flames. Is she a victim or perhaps someone accused of practicing witchcraft? Her presence raises questions about gender roles and power dynamics during those times. As we gaze upon this historical artwork captured by Bridgeman Images, it serves as a reminder of humanity's capacity for cruelty and intolerance. It prompts us to reflect on how far we have come since then while acknowledging that remnants of such prejudice still persist today.

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