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Metal Print : The Right Hon Lord Sandhurst, A soldiers son, 22 June 1889, Vanity Fair cartoon (colour litho)
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The Right Hon Lord Sandhurst, A soldiers son, 22 June 1889, Vanity Fair cartoon (colour litho)
611871 The Right Hon Lord Sandhurst, A soldiers son, 22 June 1889, Vanity Fair cartoon (colour litho) by Ward, Leslie Matthew (Spy) (1851-1922); Private Collection; (add.info.: The Right Hon Lord Sandhurst, A soldiers son, 22 June 1889, Vanity Fair cartoon); Look and Learn / Peter Jackson Collection
Media ID 22934264
© Look and Learn / Peter Jackson Collection / Bridgeman Images
16"x24" (61x41cm) Metal Print
Bring a piece of historical humor into your home or office with our Media Storehouse Metal Print of "The Right Hon Lord Sandhurst, A Soldier's Son" by Leslie Matthew Ward from Vanity Fair. This colorful lithograph, originally published on June 22, 1889, captures the satirical wit of the famous British magazine. Featuring Lord Sandhurst, a soldier's son, this collectible print is a must-have for history enthusiasts and art collectors. With vibrant colors and exceptional detail, our Metal Prints are known for their durability and modern look. Each print is printed on high-quality aluminum sheets using a dye-sublimation process, ensuring a long-lasting and stunning display. Add a touch of British humor and fine art to your space with this unique and captivating piece from Media Storehouse.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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The Right Hon Lord Sandhurst, A Soldier's Son
EDITORS COMMENTS
is a vibrant and satirical cartoon print that captures the essence of political commentary in the late 19th century. Created by Leslie Matthew Ward, also known as Spy, this color lithograph was originally published in Vanity Fair on June 22nd, 1889. The caricature depicts Lord Sandhurst, who was renowned for being the son of a soldier. With meticulous attention to detail and a touch of humor, Ward portrays Lord Sandhurst with exaggerated features and an air of aristocratic arrogance. The artist's skillful use of colors brings life to the image, enhancing its impact. This scathing satire reflects the prevailing social and political climate at the time. Through his artistry, Ward highlights the contradictions between noble lineage and military service while subtly criticizing those who exploit their family background for personal gain. As we delve into this historical piece from our private collection, it serves as a reminder of how visual art has long been used as a powerful tool for societal critique. This particular print exemplifies Vanity Fair's tradition of employing cartoons to expose hypocrisy within British high society. With its rich history and artistic brilliance, "The Right Hon Lord Sandhurst" continues to captivate viewers even today. It invites us to reflect on timeless themes such as privilege versus meritocracy and raises questions about inherited status in society.
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