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Metal Print : Shaykh Sanan and the Christian Maiden (oil on canvas)

Shaykh Sanan and the Christian Maiden (oil on canvas)



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Shaykh Sanan and the Christian Maiden (oil on canvas)

3588510 Shaykh Sanan and the Christian Maiden (oil on canvas) by Qajar School (19th century); 64.1 wide cm; Los Angeles County Museum of Art, CA, USA; (add.info.: In Farid ud-Din Attars The Conference of the Birds, the Sheikh falls in love with a Christian woman. As a result, he drops all connections to Sufism, fully converts to Christianity, yet is still denied by the woman he is unabashedly in love with.); Persian, out of copyright

Media ID 23632896

© Bridgeman Images

Epic Iran Iranian Persia Shah Sheikh Sufi Sufism Turkic Attar Attar Of Nishapur


16"x20" (51x41cm) Metal Print

Bring the captivating beauty and rich cultural history of Bridgeman Images' "Shaykh Sanan and the Christian Maiden" (3588510) to your home or office with a Media Storehouse Metal Print. This stunning 19th century oil on canvas painting from the Qajar School, currently housed at the Los Angeles County Museum of Art, comes alive in vibrant colors and sharp details on our high-quality metal prints. Each print is meticulously crafted using advanced printing techniques and long-lasting materials, ensuring a museum-quality display that adds elegance and depth to any space.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


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> Asia > Iran > Related Images


EDITORS COMMENTS
This oil on canvas painting, titled "Shaykh Sanan and the Christian Maiden" is a masterpiece created by the Qajar School in the 19th century. Displayed at the Los Angeles County Museum of Art, this artwork measures an impressive 64.1 wide cm. The painting depicts a poignant scene from Farid ud-Din Attar's renowned work, The Conference of the Birds. In this allegorical tale, Shaykh Sanan, a Sufi Sheikh, finds himself deeply infatuated with a Christian woman. Despite his complete conversion to Christianity and abandonment of his Sufi connections, he remains rejected by the object of his unwavering love. With its rich symbolism and intricate details, this Persian artwork beautifully captures themes of love and religious devotion. It serves as a powerful reminder that matters of faith can often intersect with matters of the heart. The Qajar School's skilled brushwork brings to life both the emotional turmoil experienced by Shaykh Sanan and the ethereal beauty embodied by the Christian maiden. This painting not only showcases Persian artistic mastery but also offers viewers an opportunity for contemplation on universal themes such as unrequited love and spiritual transformation. As you gaze upon this mesmerizing piece, allow yourself to be transported into Attar's poetic world where religion intertwines with human desires – an exploration that transcends time and cultural boundaries.

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