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Metal Print : Taste in High Life, engraved by Samuel Phillips, 1808 (engraving)
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Taste in High Life, engraved by Samuel Phillips, 1808 (engraving)
695562 Taste in High Life, engraved by Samuel Phillips, 1808 (engraving) by Hogarth, William (1697-1764) (after); The Geffrye Museum of the Home, London, UK; (add.info.: Satire of contemporary aristocratic fashions. Man on the right is thought to be " Beau" Colyear, 2nd Earl of Portmore.); eGeffrye Museum; English, out of copyright
Media ID 23544120
© Geffrye Museum / Bridgeman Images
Aristocratic Drawing Room Expensive Monkey Opulent Salon Satirising Scheming Thieves Upper Class Aristocrats
16"x20" (51x41cm) Metal Print
Experience the timeless elegance of 19th-century art with our Media Storehouse Metal Prints. Featuring the captivating engraving, "Taste in High Life" by Samuel Phillips, 1808, as reproduced from the original work by William Hogarth. This exquisite piece, showcasing a scene of opulence and refinement, is now available in a modern and stylish metal print format. Each print is meticulously crafted using premium metal sheets and advanced printing techniques, ensuring vibrant colors and exceptional detail. Bring a touch of history and sophistication to your home or office with this beautiful and unique addition to your decor.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print titled "Taste in High Life" takes us back to the year 1808, immersing us in a satirical portrayal of aristocratic fashions by the renowned artist William Hogarth. Engraved by Samuel Phillips, this piece showcases an opulent interior scene that offers a glimpse into upper-class life during that era. The image captures the essence of aristocracy with its extravagant setting and fashionable characters. The man on the right is believed to be "Beau". Colyear, 2nd Earl of Portmore, adding historical significance to this artwork. Hogarth's keen eye for detail and wit is evident as he skillfully satirizes contemporary fashion trends prevalent among the elite. Intriguingly, amidst this grandeur, we notice a mischievous monkey perched on one character's shoulder. This clever addition adds an element of humor and perhaps serves as a metaphor for scheming or thievery within high society. The painting also features various other individuals including servants and a black page boy who provide contrast to the lavishness surrounding them. Through his caricaturesque style, Hogarth masterfully critiques societal norms while shedding light on issues such as class disparity. Displayed at The Geffrye Museum of the Home in London, UK, this engraving serves as both an artistic masterpiece and historical artifact. It invites viewers to reflect upon not only their own taste but also how social hierarchies shape our perceptions of luxury and refinement throughout history
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