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Metal Print : L Assiette au Beurre, number 18, Satirical en Couleurs, 1901_8_1
Metal Prints from Fine Art Finder
L Assiette au Beurre, number 18, Satirical en Couleurs, 1901_8_1
ICA4875628 L Assiette au Beurre, number 18, Satirical en Couleurs, 1901_8_1 by Couturier, Edouard (1869-1935); (add.info.: healthy title - Anticlericalism - Cupidite/Avarice, Eg with reactionaries, Eg opposed to the people - Worker, Military, Bailiff, Cures, Soldiers - Illustration by Couturier (1869-1935)); Photo © Caricadoc
Media ID 25900264
© Caricadoc / Bridgeman Images
Abuse Anticlericalism Bailiff Charity Cupidite Force Gendarme Persecution Quest Caricadoc Imam Justice Laborer Religious Role
16"x20" (51x41cm) Metal Print
Bring a touch of timeless satire into your home with our Media Storehouse Metal Prints featuring "L Assiette au Beurre, number 18, Satirical en Couleurs, 1901_8_1" by Edouard Couturier. This iconic Bridgeman Images artwork from Fine Art Finder depicts a humorous commentary on anticlericalism and greed, making it a thought-provoking addition to any space. Our high-quality metal prints offer vibrant colors and long-lasting durability, ensuring your artwork remains a captivating conversation starter for years to come.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
The print titled "L Assiette au Beurre, number 18, Satirical en Couleurs, 1901_8_1" captures a powerful and thought-provoking image that reflects the social and political climate of early 20th century France. Created by Edouard Couturier, this illustration from the satirical magazine showcases a healthy dose of anticlericalism. In this intricate engraving, we witness a clash between different societal factions. On one side stands the clergy represented by priests and religious figures from various faiths such as imams and clergymen. They are accompanied by soldiers who seem to be enforcing their authority through violence and force. On the other side are workers, laborers, and ordinary people who appear oppressed under their rule. The central theme revolves around greed or cupidité/avarice as depicted by gold coins symbolizing money and charity being withheld from those in need. The image highlights the abuse of power within religious orders while questioning their true intentions. This artwork serves as a scathing critique on religion's role in society during that time period. It sheds light on issues like persecution, injustice, and exploitation faced by common people at the hands of those in positions of authority. As we delve into this photograph print captured beautifully by Caricadoc for Fine Art Finder with Bridgeman Images' collection, it invites us to reflect upon historical events while drawing parallels to contemporary struggles against oppression and inequality.
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