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Metal Print : Peace but Not Business, satire showing Americas struggle to trade in a peaceful Europe in the late 19th century (colour litho)

Peace but Not Business, satire showing Americas struggle to trade in a peaceful Europe in the late 19th century (colour litho)



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Peace but Not Business, satire showing Americas struggle to trade in a peaceful Europe in the late 19th century (colour litho)

7153666 Peace but Not Business, satire showing Americas struggle to trade in a peaceful Europe in the late 19th century (colour litho) by Gillam, Bernard (1856-96); Private Collection; (add.info.: Peace but Not Business, satire showing Americas struggle to trade in a peaceful Europe in the late 19th century. Illustration from Puck Magazine.); Look and Learn / Valerie Jackson Harris Collection

Media ID 24680908

© Look and Learn / Valerie Jackson Harris Collection / Bridgeman Images

Bismarck Otto Von 1815 1898 Business Canine Cobblestone Street Collie Dog East Prussia Goods Transport Guard Dog Market Scene Markets Otto Von Bismarck Pacifism Pacifist Peace Peaceful Prussia Prussian Prussians Puppy Shops Store Street Network Uncle Sam Weekly Market Prussia Prussian


16"x24" (61x41cm) Metal Print

Step back in time with our captivating Media Storehouse Metal Print of 'Peace but Not Business' by Gillam, an intriguing satirical lithograph from Bridgeman Images. This fine art piece, sourced from Fine Art Finder, vividly depicts the late 19th century's complex relationship between Europe and America, where peace was a priority but business was proving to be a challenge. Add this thought-provoking art print to your collection and bring a touch of historical intrigue to your home or office decor.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


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> Fine Art Finder > Artists > Bernard Gillam

> Fine Art Finder > Artists > European School

> Arts > Artists > G > Bernard Gillam

> Arts > Literature > Magazines

> Arts > Pop art > Satire > Satirical artwork

> Arts > Realistic drawings > Still life artwork > Fine art

> Arts > Realistic drawings > Still life artwork > Life drawings

> Arts > Realistic drawings > Still life drawings > Life drawings

> Arts > Realistic drawings > Wildlife illustrations > Fine art

> Europe > Germany > Maps

> Europe > Germany > Politics

> Europe > Russia > Maps


EDITORS COMMENTS
This vibrant and thought-provoking print titled "Peace but Not Business" captures the struggle America faced in trading with a peaceful Europe during the late 19th century. Created by Bernard Gillam, this satirical artwork was originally featured in Puck Magazine, offering a biting commentary on the complexities of international trade. The image portrays a bustling European street scene, complete with shops and stores representing various countries. In the foreground stands an American merchant, symbolizing America's desire to engage in commerce with Europe. However, he is met with resistance as a large collie dog guards one of the shops, signifying protectionism and reluctance to open up markets. Gillam's use of color lithography brings vibrancy to this piece, highlighting both the beauty and challenges associated with transatlantic trade. The contrasting colors serve as visual metaphors for conflicting interests between nations. Through this artwork, Gillam raises questions about economic barriers and political tensions that hindered American businesses from fully accessing European markets during this period. It serves as a reminder that peace does not always guarantee smooth business transactions or equal opportunities for all involved parties. As we reflect on "Peace but Not Business" it prompts us to consider historical struggles in global trade while also encouraging dialogue around present-day challenges faced by nations seeking mutually beneficial economic relationships across borders.

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