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Metal Print : Fol. 11r St. Remigius, Bishop of Rheims (c. 438-533) baptising and annointing Clovis I
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Fol. 11r St. Remigius, Bishop of Rheims (c. 438-533) baptising and annointing Clovis I
XTR83887 Fol.11r St. Remigius, Bishop of Rheims (c.438-533) baptising and annointing Clovis I (465-511), King of the Franks, from the Grandes Chroniques de France, 1375-79 (vellum) (detail of 192489) by French School, (14th century); Bibliotheque Municipale, Castres, France; French, out of copyright
Media ID 23350486
© Bridgeman Images
Bapteme Baptism Barrel Chlodwig Christening Early Christian Merovingian Remi
16"x20" (51x41cm) Metal Print
Bring history to life with our stunning Metal Prints featuring Fol. 11r St. Remigius, Bishop of Rheims (c. 438-533) baptizing and anointing Clovis I (465-511), King of the Franks. This captivating image from Bridgeman Images' Fine Art Finder collection transports you back in time, showcasing a pivotal moment in European history. Our high-quality Metal Prints are known for their vibrant colors, rich textures, and long-lasting durability. Each print is meticulously printed on a sheet of aluminum, resulting in a sleek, modern look that adds depth and dimension to your space. Elevate your home or office decor with this beautiful work of art and relive the story of St. Remigius and Clovis I.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print captures a significant moment in history, as depicted in the Grandes Chroniques de France. Fol. 11r St. Remigius, Bishop of Rheims (c. 438-533), stands tall and regal, baptizing and anointing Clovis I (465-511), the esteemed King of the Franks. The scene is rich with symbolism and detail that transports us back to 498 AD. The focal point of this image is undoubtedly the baptism itself, taking place within a grand barrel-like tub adorned with intricate designs. St. Remigius pours water over Clovis I's head while holding a sacred vessel filled with holy oil for anointment - both crucial elements in this early Christian ritual. Clovis I, donning his royal crown, kneels before the bishop with reverence and humility as he embraces his newfound faith under St. Remigius' guidance. This pivotal event marked not only Clovis I's personal conversion but also signaled the official adoption of Christianity by the Frankish kingdom. The medieval setting adds to the mystique surrounding this historical moment; every brushstroke on vellum tells a story from centuries past. Preserved within Bibliotheque Municipale in Castres, France, this artwork serves as a testament to both religious devotion and political power during medieval times. Through Bridgeman Images' meticulous reproduction techniques, we can now appreciate every intricate detail of this remarkable piece without leaving our present-day world behind – allowing us to delve
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