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Metal Print : L Plate au beurre, number 226, Satirique en couleurs, 1905_7_29: Metiers - Remover
Metal Prints from Fine Art Finder
L Plate au beurre, number 226, Satirique en couleurs, 1905_7_29: Metiers - Remover
ICA4903781 L Plate au beurre, number 226, Satirique en couleurs, 1905_7_29: Metiers - Remover, Camelot Vendor travelling - Illustration by Francisco Sancha Lengo (1874-1936) by Sancha y Lengo, Francisco (1874-1936); (add.info.: L Plate au beurre, number 226, Satirique en couleurs, 1905_7_29: Metiers - Remover, Camelot Vendor travelling - Illustration by Francisco Sancha Lengo (1874-1936)); Photo eCaricadoc; Spanish, out of copyright
Media ID 23718468
© Caricadoc / Bridgeman Images
Pauper Reminder Remolding Street Trade Caricadoc Journalism Metier Newspapers
16"x20" (51x41cm) Metal Print
Bring a touch of whimsy to your home decor with our Metal Prints featuring the satirical illustration "L Plate au beurre, number 226, Satirique en couleurs, 1905_7_29: Metiers - Remover" by Francisco Sancha Lengo. This iconic image, published by Bridgeman Images from Fine Art Finder, captures a Camelot Vendor traveling in a humorous and colorful way. Our high-quality Metal Prints provide a contemporary and stylish presentation of this classic art piece, adding character and conversation to any room. Experience the vibrant colors and intricate details brought to life on a durable, lightweight, and waterproof metal surface. Order now and make this satirical masterpiece a cherished addition to your personal art collection.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print titled "L Plate au beurre, number 226, Satirique en couleurs, 1905_7_29: Metiers - Remover" takes us back to the bustling streets of early 20th century France. The image showcases a vivid street scene filled with poverty and labor as depicted by the skilled hand of Francisco Sancha Lengo (1874-1936), an acclaimed Spanish illustrator. In this particular illustration, we are introduced to a Camelot Vendor traveling through the crowded streets. The vendor is seen surrounded by instruments of his trade, reminding us of the hardships faced by those in street trades during this era. This engraving captures both the essence of society at that time and highlights the struggles faced by its population. The artist's attention to detail transports us into a world where poverty and hard work were prevalent themes. Through this piece, we gain insight into not only the daily lives of individuals but also into the evolving landscape of journalism and press during that period. As we gaze upon this remarkable artwork from Fine Art Finder's collection, it serves as a powerful reminder of how far societies have come since then. It prompts reflection on our progress while appreciating historical perspectives captured within these intricate engravings.
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