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Metal Print : The Mercy Fathers ransoming the captives in Algeria, c. 1830-40 (litho) (b / w photo)

The Mercy Fathers ransoming the captives in Algeria, c. 1830-40 (litho) (b  /  w photo)



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The Mercy Fathers ransoming the captives in Algeria, c. 1830-40 (litho) (b / w photo)

CHT287709 The Mercy Fathers ransoming the captives in Algeria, c.1830-40 (litho) (b/w photo) by French School, (19th century); Bibliotheque Nationale, Paris, France; (add.info.: rachat des captifs par les Peres de la Merci en Algerie; ); eArchives Charmet; French, out of copyright

Media ID 23178584

© Archives Charmet / Bridgeman Images

Algerian Algerians Arabs Banner Captive Chain Chains Charity Crucifix Freedom Freeing Moorish Architecture Moslem Oriental Costume Pair Of Scales Paying Payment Prisoners Ransom Weighing Archs Arcs Monks


16"x20" (51x41cm) Metal Print

Bring history to life with our stunning Metal Prints from Media Storehouse. This captivating image, "The Mercy Fathers ransoming the captives in Algeria, c.1830-40" by the French School, showcases a pivotal moment in history. The black and white lithograph, sourced from the Bibliotheque Nationale in Paris through Bridgeman Images and Fine Art Finder, depicts the Mercy Fathers bravely ransoming captives in Algeria during the 19th century. Our Metal Prints are known for their vibrant colors, rich details, and long-lasting durability. Transform your space into a museum-worthy gallery with this inspiring and intriguing piece of art history.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")

Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > French School

> Fine Art Finder > War & Military Scenes Pre-20th Century

> Africa > Algeria > Related Images

> Africa > Related Images

> Architecture > Country > Africa

> Architecture > Country > France

> Architecture > Religious

> Architecture > Styles > Islamic Architecture

> Arts > Artists > I > Islamic School Islamic School

> Arts > Artists > M > Mercier Mercier

> Popular Themes > Money

> Religious Art > Religious Architecture


EDITORS COMMENTS
This print captures a powerful moment in history - "The Mercy Fathers ransoming the captives in Algeria, c. 1830-40". The image showcases the courageous efforts of the French School, 19th-century artists who depicted the scene from an engraving found at Bibliotheque Nationale in Paris, France. In this composition, we witness a group of Mercy Fathers clad in religious habits negotiating for the release of prisoners held captive by Algerians. The priests stand tall and resolute against a backdrop of Moorish architecture, symbolizing their unwavering commitment to freedom and charity. The scene is filled with poignant details: chains that once bound these unfortunate souls now lie broken on the ground; a pair of scales signifies fair payment for their liberation; and a banner bearing a crucifix serves as a reminder of faith amidst turmoil. Amidst this exchange between Christian missionaries and Arab captors, one cannot help but be moved by the juxtapositions present - male figures donning Islamic attire alongside clergymen wearing traditional Christian garb. These visual contrasts highlight both cultural differences and shared humanity. "The Mercy Fathers ransoming the captives" serves as an enduring testament to compassion transcending boundaries. It reminds us that even in times marred by conflict, acts of kindness can bring hope and restore dignity to those trapped within oppressive circumstances.

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