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Metal Print : Wreck of the Salween, South Shields Sands (pencil & w / c on paper)

Wreck of the Salween, South Shields Sands (pencil & w  /  c on paper)



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Wreck of the Salween, South Shields Sands (pencil & w / c on paper)

1214416 Wreck of the Salween, South Shields Sands (pencil & w/c on paper) by Horton, George Edward (1859-1950); 63.0 x43.9 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; (add.info.: The Scandinavian ship Salween ran aground on the Herd Sands at South Shields in 1895, after being damaged on the South Pier rocks during a north-east gale. George Horton probably painted the picture on the beach itself, because the sky is spattered with water droplets, probably sea spray. Many of the colours have been applied while the surrounding paint was still wet, mimicking the watery environment of the beach. George Horton spent much of his career in the North East.); Tyne & Wear Archives & Museums

Media ID 25173348

© Tyne & Wear Archives & Museums / Bridgeman Images

Coast Scenery Coastal Feature Grey Mast Overcast Sail Sails Scuttling Shipwreck South Shields Wreck Salween


16"x24" (61x41cm) Metal Print

Bring the timeless beauty of George Edward Horton's Wreck of the Salween, South Shields Sands into your home with our high-quality Media Storehouse Metal Prints. This exquisite pencil and watercolor work, originally created in 1894 and currently housed at the Laing Art Gallery in Newcastle-upon-Tyne, showcases the hauntingly beautiful wreckage of a ship against the backdrop of South Shields Sands. Our Metal Prints are known for their vibrant colors, stunning clarity, and long-lasting durability. Each print is meticulously printed on a lightweight, rust-free aluminum sheet using a dye-sublimation process, ensuring a beautiful, museum-quality finish. Order yours today and experience the captivating artistry of Horton's masterpiece in a modern, contemporary way.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > George Edward Horton

> Fine Art Finder > Seascapes & Shipping Scenes

> Arts > Art Movements > Landscapes

> Arts > Art Movements > Seascapes

> Arts > Contemporary art > Landscapes > Seascape paintings

> Arts > Landscape paintings > Coastal landscapes > Beach scenes

> Arts > Landscape paintings > Coastal landscapes > Landscape paintings

> Arts > Landscape paintings > Coastal landscapes > Seascape art

> Arts > Landscape paintings > Coastal landscapes

> Arts > Landscape paintings > Landscape art > Coastal scenery paintings

> Arts > Landscape paintings > Landscape art

> Arts > Still life artwork > Landscape paintings > Seascapes


EDITORS COMMENTS
The print captures the haunting beauty of the "Wreck of the Salween, South Shields Sands" by George Edward Horton. The Scandinavian ship Salween met its tragic fate in 1895 when it ran aground on the Herd Sands at South Shields during a violent north-east gale. Horton's meticulous pencil and watercolor technique brings this maritime disaster to life. Standing before this artwork, one can almost feel the dampness in the air as sea spray mingles with raindrops. The artist likely painted this scene on-site, capturing every detail of the beach environment. Wet-on-wet application creates an ethereal quality, mirroring the watery surroundings. Horton was known for his dedication to depicting North East landscapes, and here he showcases his talent once again. The overcast sky adds a sense of foreboding to an already somber scene. The wrecked ship dominates the composition, its broken mast reaching towards a desolate coastline. This painting is not only a testament to Horton's skill but also serves as a reminder of England's rich maritime history. It speaks volumes about human vulnerability against nature's might and highlights our reliance on transportation for trade and travel. Displayed at Newcastle-upon-Tyne's Laing Art Gallery, this image transports viewers back in time while simultaneously evoking emotions that are timeless: awe, melancholy, and respect for those who have braved treacherous waters throughout history.

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