Metal Print > Arts > Artists > N > Giuseppe or Joseph de Nittis
Metal Print : At the Racetrack, 1874 (oil on canvas)
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At the Racetrack, 1874 (oil on canvas)
989970 At the Racetrack, 1874 (oil on canvas) by Nittis, Giuseppe or Joseph de (1846-84); 33x43.8 cm; Private Collection; (add.info.: At the Racetrack. Giuseppe de Nittis (1846-1884). Oil on canvas. Signed and dated 1874. 33 x 43.8cm.); Photo eChristies Images; French, out of copyright
Media ID 22523962
© Christie's Images / Bridgeman Images
1870s 1874 Awaiting Background People Beneath Bystander Derby Equine Giuseppe De Nittis Hooved Mammal Horse Race Horse Racing Human Role Italian Art Italian Artist Position Racetrack Racing Track Salon Shade Shaded Shady Spectator Top Hat Underneath Wait Waiting 19th Century European Art Apparel Headwear Nittis
16"x20" (51x41cm) Metal Print
Bring the captivating energy of Giuseppe de Nittis' "At the Racetrack, 1874" into your home with a Media Storehouse Metal Print. This fine art reproduction showcases the iconic oil on canvas painting from Bridgeman Images, capturing the excitement and vibrancy of the racetrack scene. Our high-quality metal prints are not only visually stunning but also durable and long-lasting, making them an excellent addition to any space. Experience the beauty of this masterpiece in a whole new way with Media Storehouse.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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At the Racetrack, 1874
EDITORS COMMENTS
is a captivating oil painting by Giuseppe de Nittis that captures the vibrant atmosphere of a horse race in the late nineteenth century. The artist skillfully portrays a scene filled with anticipation and excitement as spectators eagerly await the start of the race. In this finely detailed artwork, de Nittis showcases his mastery of capturing human figures and their surroundings. The composition features a diverse group of individuals, both men and women, elegantly dressed in attire typical of the era. They are positioned beneath towering trees that provide shade from the bright daylight. The focal point of the painting is a seated woman wearing an exquisite dress and hat, exuding elegance and poise. Her posture suggests she is patiently waiting for something to happen while engaging in conversation with her male companion beside her. De Nittis' attention to detail extends beyond just depicting people; he also includes horses on the racetrack itself. These magnificent creatures add movement and energy to the scene, further enhancing its dynamic nature. Overall, "At the Racetrack, 1874" offers viewers a glimpse into an exciting moment in history where sport meets fashion. It serves as a testament to de Nittis' talent as an artist who could capture not only physical appearances but also emotions and atmospheres through his brushstrokes.
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