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Metal Print : The Bull s-Eye, from London, a Pilgrimage, written by William Blanchard Jerrold
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The Bull s-Eye, from London, a Pilgrimage, written by William Blanchard Jerrold
XJF396020 The Bull s-Eye, from London, a Pilgrimage, written by William Blanchard Jerrold (1826-84) & engraved by Adolphe Francois Pannemaker (b.1822) pub. 1872 (engraving) by Dore, Gustave (1832-83); Private Collection; (add.info.: The Bulls Eye refers to the name of the lens in the policemans lantern; ); French, out of copyright
Media ID 12873235
© www.bridgemanart.com
Dickensian Gloom Gloomy Londoners Police Policemen Shining Slum Slums Sordid Squalor Torch
16"x20" (51x41cm) Metal Print
Experience the captivating allure of The Bull s-Eye, a iconic London landmark, brought to life in our Media Storehouse Metal Prints. This exquisite image, taken from William Blanchard Jerrold's "A Pilgrimage" and engraved by Adolphe Francois Pannemaker, is now transformed into a stunning, vibrant work of art. Our Metal Prints are known for their rich colors, sharp details, and long-lasting durability. With a sleek, modern design, they make an excellent addition to any home or office decor. Discover the beauty and history of The Bull s-Eye like never before with Media Storehouse Metal Prints.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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The Bull's-Eye - A Glimpse into Dickensian London
EDITORS COMMENTS
. This photo print, titled "The Bull's-Eye" takes us on a mesmerizing journey through the dark and squalid streets of Victorian London. Captured by Gustave Dore in 1872, this engraving brings to life William Blanchard Jerrold's renowned book, "London: A Pilgrimage". In this evocative scene, we find ourselves immersed in the heart of a gloomy slum district. The flickering light from a policeman's lantern illuminates the desolate alleyway, casting eerie shadows upon dilapidated buildings and cobblestone pavements. The title itself refers to the name given to the lens within that very lantern. Dore masterfully captures the essence of poverty and despair that plagued many Londoners during this era. The uniformed policemen stand as symbols of authority amidst an environment steeped in sordidness. Their presence offers a glimmer of hope amid overwhelming darkness. With meticulous detail and skillful technique, Adolphe Francois Pannemaker engraved Dore's original work, bringing forth every intricate aspect of this hauntingly beautiful scene. "The Bull's-Eye" serves as both a historical document and an artistic masterpiece. It transports us back in time to experience firsthand the harsh realities faced by those living in urban Victorian society. Through its stark portrayal of poverty and destitution, it reminds us not only of our past but also highlights societal
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