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Metal Print : Violation des tombes du cimetiere anglais (colour litho)

Violation des tombes du cimetiere anglais (colour litho)



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Violation des tombes du cimetiere anglais (colour litho)

2796855 Violation des tombes du cimetiere anglais (colour litho) by Bombled, Louis Charles (1862-1927) (after); Private Collection; (add.info.: Violation des tombes du cimetiere anglais. Illustration for La Guerre a Madagascar by H Galli with illustrations by L Bombled (Garnier, 1897).); © Look and Learn

Media ID 23108236

© Look and Learn / Bridgeman Images

Bare Campaigns Cementery Cemetery Cemetray Churchyard City Cemetery Coffins Expeditions Franco Hova Wars Grave Cemetry Grave Yard Graves Graveyard Madagascar Stones Tombs Violation Semi Nude


16"x20" (51x41cm) Metal Print

Bring the haunting beauty of Violation des tombes du cimetiere anglais by Louis Charles Bombled to your home or office with a Media Storehouse Metal Print. This stunning color lithograph, originally created after a work by Bombled and sourced from Bridgeman Images through Fine Art Finder, is now available in a modern and vibrant metal print format. The high-quality metal print process ensures brilliant colors and exceptional detail, making your artwork a true standout. Preserve the intrigue and mystery of this classic piece with a Media Storehouse Metal Print - an excellent addition to any art collection.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > H. Bunnett

> Fine Art Finder > Artists > Louis Charles (after) Bombled

> Africa > Madagascar > Related Images

> Arts > Artists > B > Louis Bombled

> Europe > France > Military


EDITORS COMMENTS
This print titled "Violation des tombes du cimetiere anglais" depicts a scene of profound historical significance. Created by Louis Charles Bombled, this colour lithograph captures the aftermath of an expedition during the Franco-Hova Wars in Madagascar. The image is part of a series illustrating H Galli's book "La Guerre a Madagascar" published in 1897. The composition showcases the chilling consequences of colonialism as French forces invade an English cemetery, disturbing its sacred tombs and coffins. The solemnity and serenity that once enveloped this final resting place have been violated by the ravages of war. The artist skillfully portrays the gravity of this violation through intricate details: crumbling tombstones, shattered graves, and scattered stones bear witness to the destructive nature of conflict. Amidst these ruins, there is a poignant juxtaposition between European soldiers clad in military attire and naked figures symbolizing vulnerability and innocence lost. This powerful image serves as a reminder not only of France's imperialistic ambitions but also highlights broader themes such as cultural clashes, territorial disputes, and human suffering caused by war. It invites contemplation on the impact that colonization had on both colonizers and those who were colonized. As we gaze upon this thought-provoking artwork from Bridgeman Images' private collection, we are compelled to reflect on history's lessons while acknowledging our collective responsibility to strive for peace and understanding among nations.

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