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Metal Print : The wafer (colour litho)

The wafer (colour litho)



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The wafer (colour litho)

2818356 The wafer (colour litho) by Meyer, Henri (1841-99) (after); Private Collection; (add.info.: The wafer (regarding the Festival of the Three Kings). La galette. A propos de la Fete des Rois. Illustration for Le Petit Journal, 7 January 1893.); © Look and Learn

Media ID 22705280

© Look and Learn / Bridgeman Images

Arresting Bankers Corruption Dividing Epiphany Finance Gluttony Greed Greedy Police Scandal Slices Twelth Night Wafer Dine Mealtime


16"x20" (51x41cm) Metal Print

Bring the timeless beauty of art into your home with Media Storehouse Metal Prints. Our premium quality prints feature "The Wafer (colour litho)" by Henri Meyer, an exquisite work from Bridgeman Images' Fine Art Finder collection. This captivating piece, inspired by the Festival of the Three Kings, is meticulously reproduced on high-quality metal, ensuring vibrant colors and stunning detail that will last a lifetime. Elevate your decor and add a touch of sophistication to any room with this beautiful work of art.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Henri (after) Meyer

> Arts > Artists > M > Henri Meyer

> Arts > Pop art > Satire > Satirical artwork

> Popular Themes > Money


The Wafer - A Satirical Feast Exposing Greed and Corruption in 19th Century France

EDITORS COMMENTS
. This photo print, titled "The Wafer" takes us back to the scandalous world of 19th century France. Created by Henri Meyer as an illustration for Le Petit Journal on January 7,1893, it offers a satirical commentary on the Festival of the Three Kings. In this scene, we witness a gathering of bankers and financiers indulging in gluttony and greed during their celebration of Epiphany or Twelfth Night. The image brilliantly captures the essence of excess and corruption that plagued French society at the time. Dividing slices of wafer-like delicacies symbolize not only their insatiable appetite for money but also their willingness to manipulate laws and exploit others for personal gain. As police officers stand ready to arrest these caricatured figures, we are reminded that even those entrusted with upholding justice can be swayed by wealth. Through biting satire, Meyer exposes the dark underbelly of French culture and tradition. This arresting artwork serves as a powerful reminder that unchecked greed can lead to crime and societal decay. "The Wafer" is more than just a snapshot from history; it serves as a timeless cautionary tale about the dangers posed by unbridled ambition and moral bankruptcy. It invites viewers to reflect on our own relationship with money, power, and ethics while reminding us that some traditions may need reevaluation in order to build a fairer

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