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Metal Print : The Jami Masjid, Delhi, 1864 (pencil, pen and grey ink, w / c, heightened touches of whi)

The Jami Masjid, Delhi, 1864 (pencil, pen and grey ink, w  /  c, heightened touches of whi)



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The Jami Masjid, Delhi, 1864 (pencil, pen and grey ink, w / c, heightened touches of whi)

1196705 The Jami Masjid, Delhi, 1864 (pencil, pen and grey ink, w/c, heightened touches of whi) by Simpson, William Crimea (1823-99); 36.2x51.8 cm; Private Collection; Photo eChristies Images; Scottish, out of copyright

Media ID 22530100

© Christie's Images / Bridgeman Images

1860s 1864 Architectural Feature Background People Bystander Courtyard Delhi Elevated Elevated View Grey Ink Grounds Gum Arabic In Ink Ink Drawing Islamic Art Mid 19th Century Mid Nineteenth Century Minaret Northern India Pencil Pencil Drawing Simpson Water Color Water Colour William Artist British British Artist Jami Masjid William Simpson


16"x20" (51x41cm) Metal Print

Bring the historic beauty of The Jami Masjid in Delhi, captured by William Simpson in 1864, into your home with a Media Storehouse Metal Print. This exquisite artwork, featuring intricate pencil, pen, and grey ink details with heightened touches of white, is now available in a modern and vibrant metal print format. Preserve the timeless charm of this iconic landmark with a high-quality, long-lasting print that adds a touch of elegance and sophistication to any decor.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")

Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Henri Baron

> Fine Art Finder > Artists > William 'Crimea' Simpson

> Architecture > Country > India

> Architecture > Country > Scotland

> Architecture > Drawings

> Architecture > Styles > Islamic Architecture

> Arts > Art Movements > Landscapes

> Arts > Artists > D > William Day

> Arts > Artists > S > William 'Crimea' Simpson

> Arts > Landscape paintings > Landscape art > Watercolor landscapes

> Arts > Landscape paintings > Landscape art

> Arts > Landscape paintings > Scenic landscapes


The Jami Masjid, Delhi, 1864

EDITORS COMMENTS
is a captivating print that transports viewers back to the enchanting landscapes of northern India in the mid-19th century. Created by British artist William Simpson, this artwork showcases his exceptional talent and keen eye for detail. The elevated view allows us to appreciate the grandeur of the Jami Masjid, an architectural masterpiece nestled amidst lush surroundings. The minaret stands tall against the backdrop of a clear blue sky, while delicate brushstrokes bring life to every architectural feature. Simpson's use of pencil, pen, grey ink, and watercolor creates a harmonious blend of colors that adds depth and vibrancy to the scene. As we explore this mesmerizing composition further, our attention is drawn to the human presence within the courtyard. Bystanders go about their day under warm sunlight as they become part of this historical moment frozen in time. Their inclusion not only provides scale but also evokes a sense of connection between past and present. Simpson's meticulous technique is evident in every stroke – from heightened touches of white that illuminate certain areas to gum arabic used for texture enhancement. This attention to detail enhances our appreciation for both Islamic artistry and European artistic influence during this period. "The Jami Masjid, Delhi, 1864" invites us on an immersive journey through time and space. It serves as a testament to Simpson's skillful craftsmanship while offering insight into India's rich cultural heritage during one of its most fascinating er

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