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Metal Print : The Election at Oxford - Canvassing for Votes, 1754 (engraving)
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The Election at Oxford - Canvassing for Votes, 1754 (engraving)
7148358 The Election at Oxford - Canvassing for Votes, 1754 (engraving) by Hogarth, William (1697-1764) (after); Private Collection; (add.info.: The Election at Oxford - Canvassing for Votes, 1754. Illustration from A History of Parliamentary Elections and Electioneering from the Stuarts to Queen Victoria, by Joseph Grego (Chatto & Windus, London, 1892).); © Look and Learn
Media ID 24757464
© Look and Learn / Bridgeman Images
Corrupt Corrupted Corruption Election Electioneering Elections General Election Oxfordshire Voter Voters
16"x20" (51x41cm) Metal Print
Step back in time with our exquisite Metal Print of 'The Election at Oxford - Canvassing for Votes, 1754' by William Hogarth from Bridgeman Images. This captivating engraving, originally published in 1754, offers a fascinating glimpse into the political process of the past. Witness the lively canvassing scene filled with colorful characters, as they engage in heated debates and persuasive tactics. Our high-quality Metal Prints bring out the intricate details and rich tones of this historical artwork, making it a stunning addition to any home or office. Relive the history and charm of this iconic piece with our premium Metal Print from Fine Art Finder.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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The Election at Oxford - Canvassing for Votes, 1754
EDITORS COMMENTS
is a captivating engraving by William Hogarth that offers a satirical glimpse into the world of politics in 18th century England. This print, part of a private collection, showcases Hogarth's keen eye for detail and his ability to capture the essence of political corruption. Set against the backdrop of an election campaign, the scene depicts candidates and their supporters engaging in lively canvassing activities. The engraving exposes the darker side of electoral politics with its depiction of bribery, manipulation, and questionable tactics employed by those vying for power. Hogarth's masterful use of caricature brings each character to life, highlighting their flaws and exposing their true intentions. Through exaggerated facial expressions and body language, he reveals the hypocrisy and self-interest that often underlie political campaigns. This historic artwork not only serves as a visual record of past elections but also provides commentary on timeless themes such as power struggles, voter manipulation, and moral decay within society. It reminds us that while times may have changed since the 18th century, many aspects of politics remain constant. "The Election at Oxford - Canvassing for Votes" is more than just an engraving; it is a thought-provoking piece that invites viewers to reflect on our own democratic processes today. As we observe this intricate work by Hogarth, we are reminded to question authority and hold our elected officials accountable for their actions – lessons that are as relevant now as they were centuries ago.
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