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Metal Print : Anti-Saccharites, or John Bull and his Family leaving off the use of Sugar
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Anti-Saccharites, or John Bull and his Family leaving off the use of Sugar
NCO190496 Anti-Saccharites, or John Bull and his Family leaving off the use of Sugar, published by Hannah Humphrey in 1792 (hand-coloured etching) by Gillray, James (1757-1815); 31.4x39.8 cm; Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: George III (1738-1820) and Queen Charlotte (1744-1818) set an example to their children; ); English, out of copyright
Media ID 23356274
© Bridgeman Images
Crone Daughters Economical Enjoying Gaunt Giving Up Hanoverian Knife Miser Miserable Pitcher Political Satire Royal Family Saucer Scowling Sipping Sovereign Speech Bubble Spoon Sulking Teacup Toothless Ugly Unhappy Miserliness
16"x20" (51x41cm) Metal Print
Bring history to life with our exquisite Media Storehouse Metal Prints featuring the iconic 'Anti-Saccharites, or John Bull and his Family leaving off the use of Sugar' by James Gillray. This thought-provoking etching from Bridgeman Images, published by Hannah Humphrey in 1792, offers a captivating glimpse into the past. The satirical image of John Bull and his family renouncing sugar, a commentary on the anti-sugar movement during the late 18th century, is beautifully rendered in vibrant colors and intricate detail on high-quality metal. Elevate your home or office décor with this unique and thought-provoking work of art.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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The satirical print titled "Anti-Saccharites, or John Bull and his Family leaving off the use of Sugar" captures a moment in history when George III and Queen Charlotte decided to set an example for their children by giving up sugar. Created by James Gillray in 1792, this hand-coloured etching showcases the royal family's commitment to austerity during a time of political unrest. In the image, we see King George III and Queen Charlotte sitting at a table with their daughters. The monarchs are depicted as toothless and scowling, while their daughters appear unhappy and sulking. They are all drinking tea without sugar from plain cups, emphasizing their dedication to abstaining from indulgences. Gillray's caricature highlights not only the royal family's miserliness but also serves as political satire. By portraying them as gaunt and miserable figures, he criticizes their perceived lack of empathy towards the hardships faced by ordinary people during that era. This artwork is significant because it reflects broader societal debates surrounding consumption habits and economic frugality during the Georgian period. It offers insight into how even royalty was affected by changing attitudes towards luxury goods like sugar. Today, this print serves as a historical artifact reminding us of past struggles for social change while showcasing Gillray's talent for using humor to convey powerful messages about politics and society.
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