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Metal Print : Bank Notes - Paper Money - French Alarmists - ah! poor John Bull
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Bank Notes - Paper Money - French Alarmists - ah! poor John Bull
NCO191224 Bank Notes - Paper Money - French Alarmists - ah! poor John Bull! published by Hannah Humphrey in 1797 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: Britain taken off the gold standard; Prime Minister William Pitt (1759-1806) as a cashier; handing bills to John Bull; Charles James Fox (1749-1806) dressed as a pirate; Introduction of paper money in 1797); English, out of copyright
Media ID 22932396
© Bridgeman Images
1751 1816 Accepting Alarming Coins Counter Economic Crisis Economy Financial Hanoverian Ignorant Inflation Measure Member Of Parliament Minister Napoleonic Wars Opposition Outstretched Arm Pitt Political Satire Protesting Richard Sheridan Sack Spade Speech Bubble
16"x20" (51x41cm) Metal Print
Step into the world of historical finance with Media Storehouse's Metal Prints featuring the iconic etching, "Bank Notes - Paper Money - French Alarmists - ah! poor John Bull!" by James Gillray, published by Hannah Humphrey in 1797. This captivating print from Bridgeman Images, Fine Art Finder, showcases the satirical take on the French alarmists and the instability of paper money during the late 18th century. Each Metal Print is meticulously crafted using high-quality aluminum sheets, ensuring a vibrant and long-lasting display of the intricate hand-coloured etching. Bring a piece of historical art and financial intrigue into your home or office with this unique and eye-catching addition to your decor.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This hand-coloured etching titled "Bank Notes - Paper Money - French Alarmists - ah! poor John Bull!" by James Gillray is a captivating political satire that offers a glimpse into the economic crisis faced by Britain during the Napoleonic Wars. The image, published in 1797, showcases Prime Minister William Pitt as a cashier, symbolizing Britain's departure from the gold standard and introduction of paper money. In this satirical scene, Pitt can be seen handing bills to John Bull, representing the British public. Meanwhile, Charles James Fox appears dressed as a pirate, alluding to his opposition to Pitt's measures. Speech bubbles and outstretched arms convey the alarm felt by both sides regarding this financial decision. The composition cleverly captures the tension surrounding the suspension of cash payments and inflationary concerns. Ministers are depicted carrying bundles of banknotes while Richard Sheridan protests with a tricolour cockade on his hat. A counter with sacks of gold further emphasizes the drastic shift towards paper currency. Gillray's caricature highlights not only the financial implications but also political divisions within society during this period. Through intricate details and sharp wit, he masterfully conveys complex economic concepts in an accessible manner. This print serves as an invaluable historical document shedding light on one of Britain's most significant monetary transformations. Its artistic merit combined with its insightful commentary makes it a remarkable piece for any art enthusiast or history buff seeking to explore Georgian-era politics and economics through visual storytelling.
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