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Metal Print : John Bull & his Dog Faithful, published by Hannah Humphrey in 1796 (hand-coloured etching
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John Bull & his Dog Faithful, published by Hannah Humphrey in 1796 (hand-coloured etching
NCO191226 John Bull & his Dog Faithful, published by Hannah Humphrey in 1796 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: reference to a tax on dogs; led by William Pitt (1759-1806) with a dogs body; Charles James Fox (1749-1806) barking; Charles Grey (1764-1845) hanging on coat tails; ); English, out of copyright
Media ID 23356098
© Bridgeman Images
1751 1816 Amputee Biting Blind Burden Burdened Canine Dragging Handicapped Hound Invalid Loyal Maimed Pauls Cathedral Personification Of Great Britain Political Satire Richard Sheridan Straining Taxation Whig Wooden Leg Limping Trusty
16"x20" (51x41cm) Metal Print
Step back in time with our exquisite Media Storehouse Metal Prints, featuring the iconic image of John Bull & his Dog Faithful. This hand-coloured etching, published by Hannah Humphrey in 1796, is a masterpiece by the renowned satirist James Gillray. The intricate details of the image are beautifully preserved in our high-quality metal prints, bringing the historical charm of the 18th century right into your home or office. Add a touch of timeless elegance to your decor with this classic piece from Fine Art Finder, now available in our Metal Print collection.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
The hand-coloured etching titled "John Bull & his Dog Faithful" is a remarkable piece of political satire published by Hannah Humphrey in 1796. Created by James Gillray, this print offers a biting commentary on the state of England during that time. In this caricature, we see John Bull personified as a poor and maimed canine statesman burdened with various afflictions. Led by William Pitt, who assumes the body of a dog, the opposition represented by Charles James Fox can be seen barking relentlessly. Meanwhile, Charles Grey clings onto John Bull's coat tails, adding to his already strained position. This satirical artwork cleverly references the imposition of taxes on dogs and uses it as an allegory for the burdens faced by England under its political leaders. The trusty and loyal dog named Faithful symbolizes John Bull's unwavering commitment to duty despite being savaged by opposition forces. Gillray's masterful execution highlights every detail - from John Bull's wooden leg and false hand to his limping gait - emphasizing the physical toll exacted upon him. The image also features Richard Sheridan near St Paul’s Cathedral, further enriching its historical context. Overall, this engraving serves as both a scathing critique of British politics at the time and an enduring testament to Gillray's skill in capturing complex themes through visual storytelling.
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