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Metal Print : Midas Transmuting all into Gold Paper, published by Hannah Humphrey in 1797
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Midas Transmuting all into Gold Paper, published by Hannah Humphrey in 1797
NCO190488 Midas Transmuting all into Gold Paper, published by Hannah Humphrey in 1797 (hand-coloured etching) by Gillray, James (1757-1815); 35.4x24.8 cm; Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: reference to the issue of paper money after a run on the Bank of England on 26th February 1797; William Pitt (1759-1806) depicted as a giant standing over the bank; Opposition heads in the rushes; storm cloud coming from France; ); English, out of copyright
Media ID 23224268
© Bridgeman Images
Chain Coins Controlling Devaluation English Channel Expelling Financial Crisis Fool Foolish Funding Mighty Note Padlock Political Satire Powerful Prime Minister Putti Small Tiny Towering Cherubim Cherubs Coin Gullet War Funds
16"x20" (51x41cm) Metal Print
Transform your space into a world of gold with our exquisite Media Storehouse Metal Prints. Featuring the iconic image of "Midas Transmuting all into Gold Paper" by James Gillray, published by Hannah Humphrey in 1797. This hand-coloured etching, available through Bridgeman Images from Fine Art Finder, brings the timeless tale of King Midas to life. Our high-quality metal prints are not only visually stunning but also durable and long-lasting, making them an excellent addition to any home or office. Let the golden glow of this captivating artwork illuminate your surroundings and add a touch of elegance and sophistication to your décor.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
The print titled "Midas Transmuting all into Gold Paper" captures a powerful and satirical political commentary on the financial crisis of 1797. Created by James Gillray and published by Hannah Humphrey, this hand-coloured etching depicts William Pitt, the Prime Minister at the time, as a towering giant with a massive belly made of gold coins. Pitt is shown standing over the Bank of England, symbolizing his control over the nation's finances. In this cleverly crafted cartoon, tiny opposition heads are seen in rushes below Pitt's feet, representing their diminished influence in comparison to his towering stature. A storm cloud emanating from France adds an ominous touch to the scene, highlighting the economic pressures faced by Britain during that period. Gillray's attention to detail is evident in every aspect of this artwork. From Pitt's donkey ears symbolizing foolishness to diminutive figures spewing paper money from his mouth, each element contributes to conveying a sense of national bankruptcy and devaluation. This print serves as both a historical document and a work of art. It reflects not only Gillray's skillful technique but also his ability to use satire as a means of social commentary. The image reminds us that even those in positions of power can be subject to criticism and scrutiny when it comes to matters of finance and governance. Courtesy: Warden and Scholars of New College, Oxford; Bridgeman Images
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