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Metal Print : Propaganda fascist poster for grain and land improvement campaign, 1932

Propaganda fascist poster for grain and land improvement campaign, 1932



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Propaganda fascist poster for grain and land improvement campaign, 1932

LRI4600711 Propaganda fascist poster for grain and land improvement campaign, 1932 by Tofani, Oswaldo (1849-1915) (after); Private Collection; (add.info.: Tofani fascist propaganda poster for the exhibition for the Battle of the Wheat and the Bonification Campaign, a Earthworker with a Shovel in a Cultivating Landscape, 1932 - Propaganda fascist poster for grain and land improvement campaign, 1932 - DR Private collection); Luisa Ricciarini; Italian, out of copyright

Media ID 22537534

© Luisa Ricciarini / Bridgeman Images

Agricultural Tool Displays Fascism Harvest Hype Recolate Years 1930 Years 30 Years Thirty


16"x24" (61x41cm) Metal Print

Bring a piece of historical art into your home with our Media Storehouse Metal Prints. This captivating Propaganda fascist poster from 1932, featuring an image by Oswaldo Tofani (after) and Luisa Ricciarini, showcases a powerful message from the past. The high-quality metal print provides vivid colors and exceptional detail, ensuring your artwork stands out. Add this unique and thought-provoking piece to your decor, and make a statement with its intriguing historical significance.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Jean Victor Schnetz

> Fine Art Finder > Artists > Oswaldo (after) Tofani

> Arts > Artists > T > Oswaldo Tofani

> Europe > France > Canton > Landes

> Historic > Battles > Related Images


EDITORS COMMENTS
This print showcases a powerful propaganda fascist poster from 1932, created by the talented artist Oswaldo Tofani. The poster was designed as part of a grain and land improvement campaign, promoting agricultural labor and productivity in Italy during that time. The image depicts an Earthworker with a Shovel in a Cultivating Landscape, symbolizing the importance of hard work and dedication in farming. The farmer is shown standing proudly amidst a bountiful field, holding his trusty agricultural tool while gazing confidently into the distance. Tofani's artwork exudes an air of hype and enthusiasm for agriculture, emphasizing its significance to both the economy and society. It captures the essence of Italian rural life during the early 20th century, showcasing the resilience and determination of farmers who toiled tirelessly to improve their harvests. This particular print is part of a private collection owned by Luisa Ricciarini. Its historical value lies not only in its artistic merit but also in its representation of fascist ideology prevalent at that time. Despite being associated with controversial political movements, this piece serves as a reminder of how art can be used as a tool for propaganda. With its intricate details and evocative imagery, this photograph offers viewers an opportunity to reflect on Italy's past while appreciating Tofani's skillful engraving technique.

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