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Metal Print : Napoleon Bonaparte and the Revolutionary Army looting artworks and relics in Milan during the Italian Campaign, 1796. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T
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Napoleon Bonaparte and the Revolutionary Army looting artworks and relics in Milan during the Italian Campaign, 1796. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T
FLO4608599 Napoleon Bonaparte and the Revolutionary Army looting artworks and relics in Milan during the Italian Campaign, 1796. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T. Tegg, London, 1815.; (add.info.: Napoleon Bonaparte and the Revolutionary Army looting artworks and relics in Milan during the Italian Campaign, 1796. Handcoloured copperplate engraving by George Cruikshank from The Life of Napoleon a Hudibrastic Poem by Doctor Syntax, T. Tegg, London, 1815.); © Florilegius
Media ID 38094254
© © Florilegius / Bridgeman Images
Angleterre Bonaparte Famille Emperor Napoleon Flat France Francais Francaise Francaises George Cruikshank Hudibrastic Poem By Doctor Syntax Italian Campaign Italie Kite Lombardie Looting Milan Napoleon Bonaparte Napoleon I 1769 1821 Napoleon I 1st 1st Bonaparte 1769 1821 Plate Plunder Relics Revolutionary Army Roman Art Spoils Of War The Life Of Napoleon Grande Bretagne
16"x24" (61x41cm) Metal Print
Bring history to life with our stunning Metal Prints featuring iconic moments like Napoleon Bonaparte and the Revolutionary Army looting artworks in Milan during the Italian Campaign of 1796. This handcoloured copperplate engraving by George Cruikshank is a captivating addition to any art collection.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This handcoloured copperplate engraving by George Cruikshank captures a pivotal moment during the Italian Campaign of 1796, where Napoleon Bonaparte and the Revolutionary Army are depicted looting artworks and relics in Milan. The scene is chaotic yet detailed, showing soldiers carrying off precious vases, Roman art pieces, and other cultural treasures as spoils of war.
The image not only showcases the plundering nature of warfare but also highlights Napoleon's strategic approach to securing power through control of valuable artifacts. The juxtaposition of military might with artistic beauty creates a striking visual narrative that speaks to the complexities of conquest and colonization.
As we gaze upon this historical print, we are reminded of the destructive impact that war can have on cultural heritage. The carving out of statues and plates from their rightful place in Milan serves as a stark reminder of the price paid for territorial expansion.
Through this artwork, we are transported back in time to witness firsthand the ruthless ambition and calculated tactics employed by Napoleon during his rise to power. It is a sobering reflection on how art and history intertwine with politics and conflict, leaving us to ponder the lasting legacy of such actions on our shared human experience.
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