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Metal Print : Drying house (indigo cakes on shelves), 1877 (albumen silver print)
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Drying house (indigo cakes on shelves), 1877 (albumen silver print)
3617944 Drying house (indigo cakes on shelves), 1877 (albumen silver print) by Mallitte, Oscar Jean Baptiste (c.1829-1905); J. Paul Getty Museum, Los Angeles, USA; (add.info.: Plate 16 from The Planting & Manufacture of Indigo in India 29 Photographic views, Allahabad 1877
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Media ID 25159778
© Bridgeman Images
Allahabad Attar Pradesh Behar Bihar British Empire British Imperialism Cakes Crop Cultivation Drying Indigo Manufacture Oscar Mallitte Plantation Planting Shelves Shelving
16"x20" (51x41cm) Metal Print
Step back in time with our exquisite Metal Print of "Drying house (indigo cakes on shelves), 1877" by Oscar Jean Baptiste Mallitte from Bridgeman Images. This stunning albumen silver print, sourced from Fine Art Finder, captures the essence of a bygone era with its intricate details and rich, textured finish. The image of indigo cakes drying in a traditional drying house transports you to a time when artisanal craftsmanship was at the heart of everyday life. Our high-quality Metal Prints are not only beautiful works of art but also durable and long-lasting, making them a perfect addition to any home or office space. Experience the timeless beauty of this historical photograph in a contemporary and vibrant way.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This photograph, titled "Drying house (indigo cakes on shelves), 1877" takes us back in time to the colonial era in India. The image showcases a bustling indigo factory, where native workers diligently dry indigo cakes on wooden shelves. The scene exudes an air of industry and productivity as we witness the intricate process of manufacturing this vibrant dye. It is evident that this plantation played a significant role in the British Empire's commerce and imperial pursuits during that period. The photograph offers a glimpse into the agricultural practices of the time, highlighting the cultivation and harvesting of indigo crops. The workers, both Indian and British, can be seen collaborating in this labor-intensive task. Oscar Jean Baptiste Mallitte skillfully captures not only the physicality of drying indigo cakes but also conveys a sense of cultural exchange between colonizers and natives. This visual documentation serves as a testament to British imperialism's impact on India's economy and industrial development. Through Mallitte's lens, we are transported to Allahabad in 1877 when indigo production was at its peak. This remarkable albumen silver print provides valuable insight into an important chapter in India's history – one marked by agriculture, colonialism, trade, and collaboration between different communities within the context of empire-building.
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