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Metal Print : Pressing the fecula, 1877 (albumen silver print)
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Pressing the fecula, 1877 (albumen silver print)
3617943 Pressing the fecula, 1877 (albumen silver print) by Mallitte, Oscar Jean Baptiste (c.1829-1905); J. Paul Getty Museum, Los Angeles, USA; (add.info.: Plate 15 from The Planting & Manufacture of Indigo in India 29 Photographic views, Allahabad 1877
)
Media ID 25151928
© Bridgeman Images
Allahabad Attar Pradesh Behar Bihar British Empire British Imperialism Crop Cultivation Indigo Langot Loincloth Manufacture Oscar Mallitte Overseer Plantation Planting Pressing
16"x20" (51x41cm) Metal Print
Bring a piece of historical art into your modern home with Media Storehouse's Metal Prints. This exquisite print features "Pressing the Fecula, 1877" by Oscar Jean Baptiste Mallitte from Bridgeman Images. Captured as an albumen silver print, this timeless image from Fine Art Finder tells a story of the past with its intricate details and rich tonality. Our high-quality Metal Prints not only preserve the authenticity of the original artwork but also add a contemporary twist with their sleek and stylish design. Elevate your living space with this unique blend of history and modernity.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
The captivating print titled "Pressing the fecula, 1877" takes us back in time to witness a crucial moment in India's indigo industry. Captured by Oscar Jean Baptiste Mallitte, this albumen silver print showcases Plate 15 from his renowned work, "The Planting & Manufacture of Indigo in India". In this image, we find ourselves immersed in a bustling factory colony where workers diligently press the precious fecula. The overseer stands tall, overseeing the process with authority and precision. The native laborers clad in traditional loincloths showcase their resilience and dedication as they contribute to the British Empire's indigo trade. This photograph not only captures a pivotal moment but also symbolizes colonialism and imperialism at its height. It serves as a visual representation of the complex dynamics between British rule and Indian agriculture during that era. Mallitte's lens transports us to Behar, India – an epicenter for indigo cultivation – where pressing indigo became an industrial endeavor under British influence. The image highlights both the immense effort put into manufacturing this valuable dye and the impact of British imperialism on Indian industry. As we gaze upon this historic scene frozen in time, we are reminded of how photography can preserve significant moments that shape our understanding of commerce, culture, and colonial history. Oscar Mallitte's skillful composition allows us to delve into an era marked by agricultural innovation within the context of imperial power dynamics - making it a truly remarkable piece captured through his lens
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