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Metal Print : Doorways of Nos 1 and 2 Laurence Poultney Hill, 1895 (colour litho)
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Doorways of Nos 1 and 2 Laurence Poultney Hill, 1895 (colour litho)
2793993 Doorways of Nos 1 and 2 Laurence Poultney Hill, 1895 (colour litho) by Norman, Philip (1842-1931); Private Collection; (add.info.: Doorways of Nos 1 and 2 Laurence Poultney Hill, 1895. Illustration for London Vanished and Vanishing painted and described by Philip Norman (A&C Black, 1905).); © Look and Learn
Media ID 23465890
© Look and Learn / Bridgeman Images
1895 Changing Demolished Demolition Doorways Lost Vanished Vanishing
16"x20" (51x41cm) Metal Print
Bring historic charm into your home with Media Storehouse's Metal Prints featuring "Doorways of Nos 1 and 2 Laurence Poultney Hill, 1895" by Philip Norman. This stunning color lithograph, originally published by Bridgeman Images from Fine Art Finder, captures the intricate details of the doorways on Laurence Poultney Hill in 1895. Our high-quality Metal Prints provide vibrant colors and exceptional clarity, ensuring that every detail of this beautiful artwork is brought to life. With a sleek, modern metal frame, these prints not only showcase the artwork in stunning detail but also add a contemporary touch to your decor. Experience the perfect blend of history and modernity with Media Storehouse's Metal Prints.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print takes us back to the year 1895, capturing the doorways of Nos 1 and 2 Laurence Poultney Hill in London. The image, beautifully rendered in color lithography by Philip Norman, showcases the architectural splendor of these now lost buildings. The grandeur of these old doorways is evident as we observe their intricate details and elegant design. Each doorway tells a story of a bygone era, with its ornate carvings and imposing presence. It is a glimpse into the past that reminds us of the rich history embedded within London's streets. Norman's work was part of his larger project titled "London Vanished and Vanishing" where he painted and described various locations that were disappearing from the cityscape. This particular illustration serves as a poignant reminder of how time can erode even the most remarkable structures. As we gaze upon this photograph, we are transported to an era long gone but not forgotten. We can almost hear echoes from bustling streets filled with horse-drawn carriages and imagine people passing through these very doorways on their daily routines. Although these buildings may have been demolished, they live on through art like this print—preserving their memory for future generations to appreciate. It serves as both a tribute to our architectural heritage and a reminder that change is inevitable in every city's landscape.
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