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Metal Print : The Matabele War, 1893: Attack on the Laager of Wagons on the Imbembezi River
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The Matabele War, 1893: Attack on the Laager of Wagons on the Imbembezi River
STC361088 The Matabele War, 1893: Attack on the Laager of Wagons on the Imbembezi River, November 1st, from The Illustrated London News, 1901 (litho) by Woodville, Richard Caton (1825-55) (after); Private Collection; (add.info.: The First Matabele War (1893) between the British South Africa Company and Ndebele (Matabele) people; A Laager was an improvised wagon fort used by travellers in South Africa to protect themselves from attack; This possibly shows the events of 1st November 1893, the first battle of the war, when a laager was attacked a few miles from the Bembesi River; ); The Stapleton Collection; American, out of copyright
Media ID 22375802
© The Stapleton Collection / Bridgeman Images
Aiming Firing Lager Rifles Skirmish Wagon Dying Laer
16"x24" (61x41cm) Metal Print
Step back in time with Media Storehouse's Metal Prints featuring Bridgeman Images' "The Matabele War, 1893: Attack on the Laager of Wagons on the Imbembezi River." This historic image, taken from The Illustrated London News, captures the intensity and drama of the November 1st, 1893, attack on the wagons on the Imbembezi River. Our high-quality Metal Prints bring out the rich details and vibrant colors of this iconic lithograph, making it a stunning addition to any home or office decor. Relive history with this beautiful and authentic piece of art.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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The Matabele War, 1893 - Attack on the Laager of Wagons on the Imbembezi River
EDITORS COMMENTS
. This print captures a pivotal moment in history during the First Matabele War of 1893. The image depicts a fierce battle scene as colonial volunteers and British South Africa Company (BSAC) troops defend themselves against an attacking force of Ndebele warriors. The composition showcases the chaos and intensity of warfare, with rifles firing and smoke billowing from guns. Courageous soldiers aim their weapons at their adversaries while horses gallop through the battlefield. In this desperate struggle for survival, lives are lost as death looms over both sides. At the center of it all is a laager - an improvised wagon fort used by travelers to protect themselves from attack. This defensive structure becomes a symbol of resilience in the face of danger, as its occupants fight tooth and nail to repel their assailants. The significance of this particular event lies in its historical context; it is believed to depict the first battle of the war that occurred on November 1st near the Bembesi River. The clash between colonial forces and Ndebele warriors marked a turning point in relations between these groups, shaping future interactions and power dynamics within Southern Africa. Through Richard Caton Woodville's masterful lithograph, we are transported back in time to witness this dramatic confrontation firsthand. It serves as a poignant reminder of humanity's capacity for conflict but also highlights our unwavering spirit when faced with adversity.
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