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Metal Print : St. Bernard, left hand panel from the Triptych of St. Erasmus, c. 1460 (oil on panel)

St. Bernard, left hand panel from the Triptych of St. Erasmus, c. 1460 (oil on panel)



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St. Bernard, left hand panel from the Triptych of St. Erasmus, c. 1460 (oil on panel)

3471330 St. Bernard, left hand panel from the Triptych of St. Erasmus, c.1460 (oil on panel) by Bouts, Dirck (c.1415-75); 82x169 cm; Museums of Louvain, Belgium; (add.info.: founder of the monastery at Clairvaux); © Art in Flanders

Media ID 28437644

© Art in Flanders / Bridgeman Images

Abbot Cistercian Monk Crozier Devil Fabulous Animal Fantastic Animal Fantastic Creature Fictional Characters Grotesque Grotesques Monstrous Character Monstruous Wonderful Character Fictional Character Monster Northern Renaissance


16"x24" (61x41cm) Metal Print

Bring the timeless beauty of Flemish art into your home with our Media Storehouse Metal Print of St. Bernard, a captivating detail from Dirck Bouts' Triptych of St. Erasmus, c. 1460. This exquisite oil on panel painting, now housed in the Museums of Louvain, showcases St. Bernard in all his revered glory. Our high-quality metal prints are known for their vibrant colors, rich textures, and durability, ensuring your artwork remains a stunning centerpiece for generations to come. Elevate your space with a piece of history and artistry, only with Media Storehouse.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Dirck Bouts

> Fine Art Finder > Artists > Rogier van der (after) Weyden

> Fine Art Finder > Saints

> Arts > Art Movements > Renaissance Art

> Arts > Artists > B > Dirck Bouts

> Arts > Fine Art

> Europe > Belgium > Paintings

> Europe > Belgium > Posters

> Europe > Belgium > Related Images

> Historic > Renaissance art > Northern Renaissance art > Renaissance art

> Historic > Renaissance art > Northern Renaissance art

> Historic > Renaissance art

> Northern renaissance paintings


EDITORS COMMENTS
This print showcases the left-hand panel of the Triptych of St. Erasmus, painted by Dirck Bouts around 1460. The artwork, measuring 82x169 cm, is housed in the Museums of Louvain, Belgium. In this panel, we are introduced to St. Bernard, a prominent figure and founder of the monastery at Clairvaux. The Northern Renaissance artist skillfully captures his saintly presence through delicate brushstrokes and vibrant colors. However, what truly captivates viewers is the juxtaposition between St. Bernard's serene demeanor and the grotesque figures surrounding him. A devilish creature with horns lurks behind him while a monstrous being gazes up from below. These fantastical creatures symbolize temptation and evil forces that St. Bernard has triumphed over throughout his life. Bouts' attention to detail is evident in every aspect of this painting; from St. Bernard's flowing robes to his firm grip on a crozier symbolizing his authority as an abbot within the Cistercian order. The inclusion of these fictional characters adds an element of wonderment to this masterpiece, reminding us that even saints face challenges and temptations in their spiritual journeys. As we gaze upon this remarkable piece by Bouts, we are transported back in time to witness not only religious devotion but also artistic mastery at its finest.

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