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Metal Print : Cover of " Les Corbeaux (Paris)", number 164, Satirique en Couleurs, 1908_5_17: Les peches clericaux: l'avarice - Anticlericalism - Cupidite/Avarice, Eg opposee au peuple, Denier de St Pierre - Cures
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Cover of " Les Corbeaux (Paris)", number 164, Satirique en Couleurs, 1908_5_17: Les peches clericaux: l'avarice - Anticlericalism - Cupidite/Avarice, Eg opposee au peuple, Denier de St Pierre - Cures
ICA4875303 Cover of " Les Corbeaux (Paris)", number 164, Satirique en Couleurs, 1908_5_17: Les peches clericaux: l'avarice - Anticlericalism - Cupidite/Avarice, Eg opposee au peuple, Denier de St Pierre - Cures; (add.info.: Cover of " Les Corbeaux (Paris)", number 164, Satirique en Couleurs, 1908_5_17: Les peches clericaux: l'avarice - Anticlericalism - Cupidite/Avarice, Eg opposee au peuple, Denier de St Pierre - Cures); Photo © Caricadoc
Media ID 38479934
© © Caricadoc / Bridgeman Images
Anticlericalism Avarice Carnival Casket Charity Circus Cupidite Disguising Donation Misery Pauper Quest Sign A Journal Caricadoc Religious Role
16"x20" (51x41cm) Metal Print
Here is a short product caption for the Media Storehouse range of Metal Prints: "Elevate your space with our stunning metal prints featuring iconic artworks. This beautiful piece showcases 'Cover of "Les Corbeaux (Paris)"', number 164, Satirique en Couleurs, 1908_5_17: Les peches clericaux: l'avarice - Anticlericalism - Cupidite/ Avarice, Eg opposee au peuple by Bridgeman Images from Fine Art Finder. With its sleek and modern design, this metal print is sure to make a statement in any room.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This striking print captures the cover of "Les Corbeaux (Paris)" from 1908, showcasing a satirical and colorful depiction of anti-clericalism. The image focuses on the sin of greed, with avarice symbolized by a clergyman holding money while turning his back on the people. The scene includes elements such as Cupidite/Avarice, Eg opposee au peuple, and Denier de St Pierre - Cures, all cleverly woven into the intricate design.
The artwork reflects societal commentary on religious figures and their perceived shortcomings, highlighting themes of poverty, charity, and deception. Through caricature and symbolism, the artist conveys a powerful message about the dangers of greed and hypocrisy within religious institutions.
The composition is rich in detail, with elements like musical instruments, carnival imagery, and paupers adding layers of meaning to the overall narrative. The use of vibrant colors and dynamic lines creates a visually engaging piece that invites viewers to contemplate its deeper implications.
Overall, this print serves as a thought-provoking reminder of the complexities inherent in human nature and society's relationship with organized religion. It is a testament to both artistic skill and social critique that continues to resonate with audiences today.
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