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Metal Print : The Vulture of the Constitution, published by Hannah Humphrey in 1789 (etching)
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The Vulture of the Constitution, published by Hannah Humphrey in 1789 (etching)
NCO191247 The Vulture of the Constitution, published by Hannah Humphrey in 1789 (etching) by Gillray, James (1757-1815); 24.5x34.7 cm; Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: Prime Minister William Pitt (1759-1806) depicted as a vulture devouring the plumes of the Prince of Wales; reference to the Regency Crisis; restriction of divine right of kings; ); English, out of copyright
Media ID 23200162
© Bridgeman Images
Bird Of Prey Buzzard Carrion Charter Claws Constitutional Consuming Document Domination Hanoverian Magna Carta Monopoly Monstrous Neck Political Satire Power Queue Reform Sceptre Tiara Treasury Vautour Dine Gullet Monster
16"x20" (51x41cm) Metal Print
Introducing the Media Storehouse Metal Prints featuring the iconic etching, "The Vulture of the Constitution" by James Gillray, published by Hannah Humphrey in 1789. This thought-provoking image, available through Bridgeman Images from Fine Art Finder, captures the political satire of the time with intricate detail and depth. Our high-quality Metal Prints bring the rich history and vibrant colors of this historic artwork to life, making it a stunning addition to any home or office space. Experience the art of the past in a modern and contemporary way with Media Storehouse Metal Prints.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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The Vulture of the Constitution - A Satirical Depiction of Power and Monarchy
EDITORS COMMENTS
. In this intriguing etching titled "The Vulture of the Constitution" created by James Gillray and published by Hannah Humphrey in 1789, we are presented with a powerful political satire that captures the essence of an era marked by turmoil and change. The image portrays Prime Minister William Pitt as a monstrous vulture, perched atop a weakened monarchy, devouring the plumes of the Prince of Wales. This artwork alludes to the Regency Crisis and signifies the restriction on divine right held by kings. With its claws firmly gripping a scepter symbolizing power, wings spread wide in domination, and crown adorning its head, this monstrous bird represents Pitt's insatiable appetite for control. Gillray's masterful caricature highlights key themes such as parliamentary control over budgetary matters through his depiction of Pitt consuming documents from within his gullet. The inclusion of references to constitutional charters like Magna Carta further emphasizes the struggle between royal prerogative and reformist ideals. Through biting wit and artistic skill, Gillray exposes Pitt's perceived monopolization of political power while commenting on broader issues surrounding governance during this Georgian period. This satirical print serves as both a historical document capturing significant events in British history and an enduring reminder that even those in positions of authority can be subject to scrutiny. Courtesy of New College Oxford's collection via Bridgeman Images, this artwork continues to intrigue viewers
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